Endings & Beginnings
by Raymond Benson
We are delighted to welcome back author Raymond Benson to Omnimystery News.
Raymond brings to a close his thrilling Black Stiletto series with Endings & Beginnings (Oceanview Publishing; November 2014 hardcover and ebook formats) and we are pleased to present you with an excerpt, the first two chapters.
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Chapter 1
Martin: The Present
EVER SINCE I REVEALED MY mother's secret to my daughter, much of the anxiety I experienced in the last year had settled down. The same thing happened when I first told Maggie that my mother, her patient, was the Black Stiletto. I felt somewhat relieved that I didn't have to deal with the burden of that explosive information alone. Now that Gina also knew, it was even better. I just hoped my nineteen-year-old could keep quiet about it. So far, so good, even though she completely immersed herself in the history of the Black Stiletto to a disturbing degree.
Gina was still reading the diaries — she finished number three already and started the fourth — and she was studying all the ephemera my mother left behind in that secret closet in the basement of our old house in Arlington Heights. I gave her a copy of the key to the safety deposit box at the bank where I keep that old stuff. Gina also looked up vintage New York Times and Los Angeles Times articles from the fifties and sixties on the Stiletto. The more she found out, the more fascinated she became about Judy Cooper, the girl from West Texas who ran away from home to New York City and became a masked vigilante.
My daughter couldn't believe I hadn't tried to contact my uncles in Odessa, Texas — my mom's brothers, John and Frankie. My response to that was I wouldn't know what to say to them, and I wasn't sure they knew the truth about their sister Judy. Gina proclaimed her determination to find out if they were still alive. I warned her not to attract attention to ourselves, and she agreed.
Never a fast reader, I was just beginning to read the fifth and last diary. Besides, I had to admit it still bugged me to find out stuff about my mother that I never knew. The truth about the identity of my father, for example. For my entire life, and I'm forty-nine, I thought my dad was one of the first casualties of the Vietnam War. I never knew him. I never knew what he looked like, because Mom possessed no photographs of him. None.
Richard Talbot. Right.
Then I learned in my mother's fourth diary that my father, I was pretty sure, was an Irish-Italian gangster in Los Angeles named Leo Kelly, and that he screwed over my mother pretty badly. Cruelly. I didn't know if he was still alive. It was no wonder she completely shut any memories of him out of her life, and mine as well. Still, she had lied to me. I was sure she did it to "protect" me, as Uncle Thomas insisted. She didn't want the bad guys in California to come after her or me. So Judy Cooper changed her name to Judy Talbot and moved to the Midwest to live in obscurity. She got hold of an obscene amount of money somehow, and that's what we lived off of. I was an idiot not to have been even remotely curious about where Mom's money came from.
I supposed I'd find out in the fifth diary.
Complicating matters was the fact that someone in Texas, probably Odessa, was looking for my mother and damned near found her. I was in New York checking out Gina's new life as a Krav Maga student and teacher — after she dropped out of Juilliard — and thanks to something stupid I did, a couple of hired killers put a bullet through my neck. I was lucky. The vagus nerve was severed, but otherwise the round missed my spinal cord and carotid. Now, a month after surgery, the wound was healing nicely and my voice was better. I still sounded like I was talking through sandpaper, though.
Gina — my amazing warrior — put both men in the hospital.
One would never walk again. We still don't know how all the legal repercussions of that incident would be resolved.
That worried me. It was only a matter of time.
As if on cue, the phone rang. It was Uncle Thomas, who was first my mother's lawyer and now mine and Gina's. He asked if I could come by his office to discuss the case after I got off work. I looked at the clock on my office wall and saw that it wouldn't be unreasonable to slip out. Tax season was over — at least the crunch was — so I could leave Wegel, Stern, and Talbot, Inc., where I worked as a CPA. I owned the place now too, for Sam Wegel handed me the business when he found out he had cancer. Sam still worked three days a week, but I usually had the place to myself, except for the presence of Shirley and another assistant named Pat whom we'd recently hired.
It was time for another heart-to-heart with the man who wasn't any true relation but whom I've known since I was a child.
"Well, if it isn't Martin Talbot," Janie greeted me warmly. She was Thomas Avery's secretary, and she'd been working for the guy as long as I could remember. I gave her the obligatory hug, and asked if he was available.
"He's with someone, but they should be finished in a jiffy. Would you like some coffee while you're waiting?"
I heartily accepted. Just as I put the cup to my lips, Uncle Thomas's door opened and there he was with his client, an elderly man I didn't know. Thomas was perhaps a couple of years older than my mother, I thought. He'd always been a close friend to our little family of two, which was why I called him an uncle. He greeted me with a smile, although he'd lately worn a sheepish, guilty look on his face when he saw me. After I confronted him a couple of months ago and forced him to tell me the truth about my mom, he finally relented and admitted that he had known all along that she was the Stiletto. "Hello, Martin," he said after seeing his client to the door. I stood and we shook hands. "Let's go inside."
He closed the door as I sat across from his desk. It had been just a little over a year since I received the lovely news, right here in this office, that my now-dying mother was once the ultra-famous Black Stiletto. I was slow on the uptake; it had taken me this long to suspect some complicity on the part of Uncle Thomas in her fantastic tale. It was time for him to come clean.
"How's our Judy doing?" Thomas asked.
"No change, Uncle Thomas. She stays at a perpetual level of pure hell. It's so hard to watch."
"God, I know." He pondered that silently for a few seconds, and then asked, "How's Gina doing?"
"She's fine. She's really interested in the Black Stiletto now. Wants to know everything about her." I shook my head. "I'm not sure what I think about that."
"Does she know that I know?"
"I don't think so. She hasn't said anything. But I think she should know, don't you?"
Thomas shrugged. "I suppose that's up to you if you want to tell her. I don't mind. I have to tell you, though, there's something we need to discuss."
"That's why I'm here."
"First of all, the case as it stands in New York. We'll know in a week whether or not Gina will face any charges for what happened to your two attackers, but the DA has admitted that his inclination is to chalk it up to self-defense, and both Gina — and you — will walk away. No one's complained on the bad guys' side, so it's practically a done deal. I think you can rest easy about that."
"That's great news. I didn't see how they could accuse Gina of anything, considering what those guys did."
"And they've also been charged for the murder of that woman who said she was the Black Stiletto."
"Betty Dinkins."
"Right."
"So, they're not going anywhere." I was referring to Bernard "Bernie" Childers, the man with the broken neck, and William "Stark" Simon, who was still in jail without bail. "Have you found out anything more about them?"
Uncle Thomas sighed heavily. "That's what I wanted to talk to you about. I didn't say anything when we first heard the men were from Odessa, Texas, but in light of what I've discovered, it's my duty to tell you that I think your mother is in grave danger. You and Gina, too, I suspect."
That sent a lightning bolt of renewed anxiety through my chest. "What did you find out?"
"Officially, they're employees of Bartlett Supply Company, a large outfit that services the oil industry. There're a lot of oil wells around Odessa."
"I know."
"Well, the fact that this Bartlett Supply Company comes into the picture has me worried."
"Why?"
"I used to know some people there."
"What?" I was getting angry. "Uncle Thomas, I know you know a lot more about my mom — and everything — than you've told me. So why don't you just tell me everything and we'll go from there." He looked at me with a pained expression. "Martin, back when
I first met your mother, in 1962, she came here from Odessa, Texas. Not Los Angeles. I had a cousin in Odessa then, and he hooked up your mother and me."
"What was she doing in Odessa?"
Uncle Thomas wrinkled his brow. "You haven't read the last diary?" "I'm just starting it. I'm a slow reader. So, what was she doing in Odessa?"
"Arranging to disappear so she could hide for the next fifty years. Christ, Martin, you make it difficult for me. I promised your mother I wouldn't talk about it until after you'd read the diaries. All of them. I have to honor her wishes. So read the goddamned diary, Martin! Then I can talk to you."
He slapped the top of his desk. I could see he was very upset, his face turned bright red. A guy his age — I didn't want him to have a heart attack or anything.
"Hey, Uncle Thomas, take it easy, it's okay. I'll read it. But why is my mother in grave danger? You can't very well tell me that and not say why."
"I can say this much. My cousin's name was Skipper Gorman." The name rang a bell. Then Thomas provided the other clue. "Skipper had a brother — also my cousin — in Los Angeles. His name was Barry Gorman."
Holy shit! That was the guy my mother befriended and worked for when she moved to the West Coast. An unofficial private detective who worked for the DA. They weren't lovers; at least they weren't in the fourth diary. I also remembered Skipper being mentioned.
"Oh boy," was all I could manage to say. "You know who they are?"
"From the last diary."
"Have you come across the mention of someone named Ricky Bartlett?"
That set off a mental alarm too. He was the cowboy dude that my mother once saw at a mobster meeting. The whole damned story was knee deep in mobster shit.
"Yeah. There wasn't much about him though."
"Ricky Bartlett was a big man in organized crime in Odessa back then."
"My mom called it the Dixie Mafia."
"Right. That's what they called it in the sixties and seventies." "Bartlett Supply Company. Am I to assume — ?"
Thomas nodded. "Ricky Bartlett owned it. It was the family business, and a successful one. Bartlett lived like a king on a ranch outside of Odessa. He had cops and judges in his pocket. Oddly, he was very charitable. He put on a rodeo weekend event every year to raise money for various causes. So he was actually well liked in town, except by the people who were afraid of him."
"Was he after my mom?"
"He was. He wanted her head. He thought she'd stolen money from him. A lot of money. Over a million dollars."
"Did she?"
"That's something I don't know, Martin. Skipper down in Odessa handled her money arrangements before she came up here. He was an accountant; he worked as an investment guy. She did have that amount with her when she arrived, though, and I helped her place it in accounts so she could live off of it for decades. It was my job to see that she wasn't found by Bartlett's people, or, for that matter, Vincent DeAngelo's people. You know who he is, right?"
"Yeah. He's the Big Daddy of 'em all, according to my mother's historical treatise. So the fact that Bernie and Stark worked for Bartlett Supply Company, that means Bartlett is still looking for Mom?"
"Bartlett died sometime in the early eighties. DeAngelo died in prison in the late sixties."
"So who would care now? Why would anyone still be after her?" "I think the answer has to do with that million dollars," Thomas said.
"Geez." It didn't sound good. "All of Mom's money is gone. So are you telling me the Bartlett family is still involved in West Texas crime?"
"You realize that if you hadn't called attention to yourself in New York, Mr. Childers and Mr. Simon wouldn't have found you? They'd been sent by whoever currently hires them for dirty work. They were there to check on Mrs. Dinkins's story that she was the Black Stiletto. They quickly figured out she wasn't the real Stiletto. I imagine they tortured Ms. Dinkins for the truth before killing her, and then found that letter you wrote to her. Either they or their boss thought you must know something about the Black Stiletto, since you interfered with their plans."
"I know, I know. I'm an idiot. I shouldn't have done it." "What's done is done. The thing is, I believe those two men were on a mission to murder the Black Stiletto if they found her. That means, since they failed, whoever's behind it will send more troops — and you and Gina are the next viable leads."
"Damn you, Uncle Thomas!" I probably yelled it a bit too loud.
The man flinched. "You've lied to me. All this time."
"I haven't lied to you, Martin." He looked crushed that I'd accuse him that way.
"Well, you haven't completely told me the truth."
"I'm sorry. I played it the way I thought your mother wanted me to."
"I know, but still — " There were actually tears in his eyes. "All right, I'm sorry I yelled. So what are you saying we should do?"
He got hold of himself. "For the first seven years or so that your mother was here with you, I made her move around, not stay in one place too long. Ricky Bartlett's dogs were sniffing around, but eventually the heat disappeared. After two years of no activity, I allowed your mother to permanently move into that house here in town where you grew up. I thought it was safe then. And it was. We never heard a peep out of Bartlett or DeAngelo or anyone."
"So you're still — connected? Is your cousin still alive?"
"No, Skipper died back then, helping your mother. And I'm not 'connected,' as you call it. Not anymore. That was a long time ago. I did some shady things back then, one of which was to help your mother and you disappear."
The concept of possessing a million dollars blew my mind. "Didn't my mom work sometimes? I thought I remembered her working as a waitress."
"Yes, she tried a few jobs, but mostly she lived off the money. The first few years while you both moved around, she didn't work. It was only after you moved into your house on Chestnut that she started trying a few jobs. Yeah, she was a waitress for a while, but I think that was just so she could do something. She called herself a 'consultant' on her income tax forms, but she didn't consult on anything. Your mother worked at odd jobs that paid only cash, and not for very long. Mostly, she wanted to stay out of the public eye." He chuckled a little. "I'm pretty sure people that knew her thought she was odd. A recluse." "She read a lot, I know that, and she pounded on that punching bag in the basement quite a bit," I said.
"She was very protective of you, Martin. Probably overprotective." That made me smile. "It's probably why I'm so nebbish."
We were quiet for a moment. I wasn't as ticked off anymore, but I was a little scared. "So what do we do?"
Uncle Thomas didn't hesitate with an answer. He said, "I think you should consider moving your mother out of the nursing home and hiding her somewhere safe."
When I walked into Woodlands, the nursing home where my mom lived — although "lived" was probably too generous a description of her existence there — I actually thought I didn't need to take Uncle Thomas's suggestion seriously because it was doubtful my mother would survive much longer.
Alzheimer's had really done a number on her. It hit her hard and the symptoms came quickly and mercilessly. Her decline in the past year was what most patients experienced in three. Maggie thought the rapid onset of the final stages were due to my mother's height- ened senses that drew her to become the Black Stiletto in the first place. When my mother entered puberty, she could suddenly see and hear better, and she had an uncanny knack for sensing danger and penetrating lies. Her brain definitely had something to do with it, and that was the organ that Alzheimer's targeted.
In the last month, especially, Mom got pretty bad. I had to arrange for a hospice service to oversee her care. A feisty black woman in her thirties, Virginia Hawkins, was assigned to my mother, and she was great. Mom seemed to like her too, although it was difficult to tell what Mom thought. Mom needed everything done for her now. She couldn't walk anymore; she had to be in a wheelchair. Her everyday bathroom chores had to be assisted. She had to be spoon-fed.
Maggie — Dr. Margaret McDaniel — said it wasn't going to be much longer. My mom was in the final stage. It was possible she could die any day, or she could live another month or two. My mother's body was shutting down. Her brain didn't know how to operate the machine anymore.
It was all very, very sad.
I went into Mom's room and found her asleep. It was already after dinner, and she usually went to bed pretty early. No one else was there. Maggie was at her house — our house, although I still kept my own — and would expect me there for dinner soon. I just wanted to stop in, since it was on the way to Deerfield.
At least Mom looked peaceful. Her breathing was deep and steady. "Can you hear me, Mom?" I asked softly.
She didn't stir. I stared at the shape of her frail body under the covers and still marveled that the woman lying before me had once been the Black Stiletto. Unbelievable. Totally crazy, and yet incredibly awesome.
"Leo Kelly," I said. No response. "Why didn't you just tell me the truth? I know he hurt you badly, and he was a mobster and a killer, but he was my father, wasn't he? The math works out, except you were pretty late, by almost a month. Unless there's another man in the picture at the very beginning of sixty-two, he has to be Kelly. Or was he Barry Gorman? I guess you really want me to read those goddamned diaries to find out. Why? Why, Mom? It's like you're making a game out of it."
Actually, that would have been just like her. She liked games. I couldn't tell you how many times we played Monopoly together, just the two of us, when I was a kid.
I thought I should shut up before I really did wake her. But then something else in my gut boiled to the surface. "I'm afraid for Gina, Mom. She knows all about you now, and I'm scared she's kind of like you. Actually, she's a lot like you. I don't want her to turn into you, if you know what I mean. But you know something? I think you wanted her to. You saved all that stuff for her, not me."
Mom's expression changed and she snorted in her sleep. And then she smiled. Had she heard me? She hadn't woken up. What was I doing? Why was I talking to her like that? I was nuts, no question about it.
"Aw, gee, Mom," I muttered. I knew I couldn't let anything hap- pen to her. Nothing violent, that is. It was my duty to protect her. I needed to find out what was going on in Odessa, Texas, and try to avert trouble if it was coming.
I leaned over and kissed her cheek. "Goodnight, Mom. I'll see you tomorrow."
When I left the room, I pulled out my cell phone and called Maggie.
"Hi, honey," she answered. "Hi, I'm at Woodlands."
"I figured. Dinner's almost ready. When will you be here?" "I'm leaving now. Say, do you still have that private investigator's phone number? You know, the one you had on your refrigerator?" "Bill Ryan?"
"Yeah."
"His card is still on the fridge."
"I think I want to hire him to take a little trip to Texas." "Oh, Martin, do you really want to do that?"
"Yeah. And you're not going to like this either, but I want you to start thinking about how we can move my mother out of Woodlands and hide her for a while."
Chapter 2
Judy's Diary: 1962
January 7, 1962
Leo had some kind of nerve last night. He actually showed up at my apartment and banged on the door. Called out loudly for me to answer it and disturbed my neighbors. The woman down the hall yelled for him to shut up.
I stayed quiet. Pretended I wasn't home. After a while, he left.
Good riddance.
Today they're going to put Maria DeAngelo — I mean Maria
Kelly — in the ground.
The funeral is this afternoon. In Las Vegas, of course. There's a lot of press coverage of the event, and police will be present. After all, this was a top mobster's daughter who'd been gunned down.
It's taken me a week to come out of my shell. I've done nothing but stay cooped up in my apartment. I called in sick to Flickers. I told Charlie I had the flu. I think he knew better, but he cut me some slack. He knew I took the breakup with Leo pretty hard.
I suppose I've been in shock over what happened at the New Year's Eve party. The image of that Black Stiletto imposter robbing Maria of that beautiful diamond necklace and then shooting her at point-blank range — it will haunt me forever. And Leo, the supreme bastard, just stood there with his mouth open, playing the innocent, bereaved husband. And it looks like they all believed him, too. The "Stiletto" had also knocked out a servant in the wine cellar, through which the underground passage went from the gazebo to the house. What a charade.
But to me, it's pretty clear. The imposter was Christina Kelly. And she was in cahoots with her brother, Leo, to steal the diamond and bump off his new wife.
The police never called me to give a statement. After all, I was a witness. The only witness, I think. Everybody at the party was focused on the fireworks. It was just me, Leo, Maria, and the phony Black Stiletto. I'm sure Leo never mentioned that I was there. He wouldn't have wanted my presence at that party known by his father- in-law, the great and powerful Vincent DeAngelo. So, by official accounts, I wasn't there.
The news was full of the murder. "Black Stiletto Slays Vegas Socialite" was how most papers described the crime. Inferences that Maria Kelly was the daughter of a mafia boss were practically non-existent. The press did say that DeAngelo was a "successful businessman" with holdings in Vegas properties. He was quoted as saying the Black Stiletto "will be a dead woman," so he must believe Leo's story. Leo himself was cited in a Vegas paper, claiming he was "devastated" at the loss of his wife of less than a week. "It all happened so fast," he said. "We were watching the fireworks, and suddenly there was the Black Stiletto."
Right.
Was the imposter Christina? Moments after the shooting, after I had melted away from the scene and strode back to the house, I saw her emerge from the back door. She acted suitably thrown by the news when I told her what had happened. I suppose I can't be totally sure, but my intuition tells me it's so. I don't know how she pulled it off. Boy, would I like to get proof that I'm right. Then I'd give it to Vincent DeAngelo and show him what a slimy, murdering son-in-law he has. That would show Leo. His life wouldn't be worth a nickel.
In the meantime, the Stiletto is wanted by the cops. Same old story. It never ends, does it?
I've had one conversation with Barry about it on the phone, as the Stiletto, of course. I told him that the phony was probably Christina and that Leo was behind the robbery and murder. Barry's response was what seems logical: "It would be suicide for Leo to do something like that." I know, it would be mad- ness on Leo's part. Still, my gut instincts have never failed me yet. Barry said the police don't know what to think about this new development and that the DA has put on hold any further "projects" with me. He said he was sorry, but he'd work on changing that. Great. Now I don't have that extra income. I said I'd like to string up Leo Kelly by the neck. Barry doesn't know Judy Cooper's reason for my vitriol, so he laughed and said, "Don't get too hasty, Stiletto, we need Kelly alive if we ever make a case against DeAngelo."
That's all I feel like writing today, dear diary. I'm not in the best of spirits.
January 9, 1962
It's early morning, four o'clock, and I just got home.
The Black Stiletto — the real one — just paid a little visit to Leo Kelly and scared the crap out of him, I hope.
I decided to go back to work on the night I last wrote. Charlie and everyone else at the club were glad to see me. Even though the place reminded me of Leo, it felt good to be around people again. It took my mind off of my troubles. So I worked again last night, the 8th. Everything was going great, and then Leo showed up around midnight.
A singer named Dore Alpert was just finishing his set. I was enjoying his music, too. He was a handsome guy who also played trumpet with his band. I thought his trumpet playing was better than his singing. Alpert told the audience that he was about to record an album, and for the occasion he was going to drop the name "Dore" and use his real first name, which is Herb.
Some folks were already starting to leave since it was the witching hour, so I stood at my post at reception and said good night to the guests. Or, good evening to late arrivals who just wanted to sit at the bar.
I swear I felt my internal danger radar tingle just before it happened, and then Leo walked in. I could tell he was drunk. He stank of booze and he had that belligerent tone of voice that he got when he'd been drinking too much.
"You are here," he said, a little out of breath. "Someone told me you came back to work. I've been trying to talk to you."
I practically growled at him. "Leo, go away. I can't talk to you here. I'm working!" I was pretty angry that he'd shown his face. Like I said, the nerve!
He got close and put both hands on my upper arms. "Judy, please just give me a minute! I can explain everything!"
I roughly shook him off and stepped back. "I don't want to hear anything you have to say."
"Judy, I love you. I've always loved you and only you. That marriage to Maria — it was a sham! It was something her father ordered me to do."
"Oh, he ordered you to marry his daughter?"
"Yes! It was a goddamned business arrangement."
"I don't believe you!" My voice had risen enough that Gary gave me a warning glare from behind the bar. I brought my rage down to a harsh whisper. "Go away, Leo. Don't ever call me again."
"Damn it, Judy, it can be like it was before. I'll — I'll move out of the house in Vegas and come back here. We can — "
"Shut up, Leo!" Again, I was too loud. Charlie would come running pretty soon, so I moved in close and spoke very softly. "Listen to me, Leo. If you try and contact me again, I will tell Vincent DeAngelo and Sal Casazza and everyone that knows you that it was you and Christina that stole Maria's diamond and killed her. That was Christina in that Black Stiletto outfit, wasn't it?"
He jerked and blinked his eyes rapidly as if I'd punched him in face. Dear diary, it was difficult to read his reaction. On the one hand, he could have been surprised that I knew the truth; on the other, it could simply have been disbelief that I'd accuse him of such a thing.
"No!" he spat. "Are you insane? Christina?" "Come on, Leo. Don't lie to me."
"Do you think I'd be crazy enough to do that to my own wife?
To Vincent DeAngelo's daughter?"
"I think you and your sister are capable of anything." "Well, it's a lie!"
Again, I tried to read his face, but he was too drunk. I couldn't get a reliable sense of whether or not he was telling the truth.
Frustrated, I shouted at him. "Get out of here, Leo, and don't call me! Don't come to the apartment. Forget I exist, all right? I never want to see you again!"
"Judy!"
That voice was Charlie's. He stood behind me with his hands on his hips.
"Oh, hi, Uncle Charlie," Leo managed to slur. "Get out of here, Leo," my boss snapped. "Now." "But Uncle Charlie — "
"Now, Leo! Or do I have to have you thrown out?"
That shut Leo up. A hangdog expression formed on his face. He gazed at me with pain in his eyes, and then he turned and left. I started crying. Charlie came up to me and put his arm around me. "Stop it," he said, and not pleasantly. "Either you're back at work or you're not. Get hold of yourself."
"I'm sorry, Charlie," I sobbed. "I didn't know he'd show up like that."
"I know. If he wasn't my nephew, I'd have him banned from the club. But you gotta admit he's had a rough week. His wife and all — " Just like everyone else, Charlie believed the official story of what happened that night. "Is this going to be a problem?" he asked me.
"No. I'm sorry."
"Okay. Go to the ladies' room and fix your face. Then get back out here. Alpert's set is almost done. Then you can go home."
I nodded and did what I was told. The rest of the night went all right, but I was careful to check the employee parking lot behind Flickers to make sure Leo wasn't waiting beside my Sunliner. He wasn't, so I drove home and stewed about what had happened. I was hopping mad.
I decided that the real Black Stiletto needed to take a look around Leo and Christina's house. Maybe I'd find evidence that she was the phony. And if either one of them were home, then the Stiletto would have to lay down the law.
Even though it was one in the morning, I put on the outfit and trench coat over it, got my backpack and mask, and went down to my car. It took me only twenty minutes to drive to their house on Woodruff. It appeared that no one was home. No cars in the driveway. No lights on in the house.
Good, I thought.
I drove a block away and parked.
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Photo provided courtesy of
Raymond Benson
Raymond Benson has been an author, composer, computer game designer, stage director, film historian, and film genres instructor for over thirty years, including being the official James Bond 007 continuation author between 1996 and 2002. He lives in the Chicago area.
For more information about the author, please visit his website at RaymondBenson.com and his author page on Goodreads, or find him on Facebook and Twitter.
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Endings & Beginnings
Raymond Benson
The Black Stiletto Series
The startling, climactic finale to the five-book saga of The Black Stiletto.
It's 1962. Judy Cooper, the Black Stiletto, is devastated at the betrayal by her nemesis and former lover, mobster Leo Kelly. Additionally, Leo and his psychotically dangerous sister, Christina, have set out to ruin the Stiletto's reputation in L.A. with a series of crimes that are made to appear as if the crime-fighter is responsible. The very pregnant Judy must fight back only with her wits and cunning-until disaster strikes and she is forced to flee to her old home town in Texas for the final showdown with destiny.
Meanwhile, in the present, the Alzheimer's that afflicts elderly Judy is in its last stage, but her son and granddaughter, Martin and Gina, must continue to protect her from the past's last remaining assault, culminating in a cathartic and explosive conclusion.
Mac
