Tuesday, November 25, 2014

Acqua Alta, A Guido Brunetti Mystery by Donna Leon, Now Available at a Special Price

Acqua Alta by Donna Leon

Omnimystery News is always searching for newly discounted mystery, suspense, thriller and crime novels for our readers to enjoy. Today, we're pleased to present the following title, now available at a special price courtesy of the publisher, Grove Press …

Acqua Alta by Donna Leon

A Guido Brunetti Mystery (5th in series)

Publisher: Grove Press

Price: $1.99 (as of 11/25/2014 at 1:00 PM ET).

Acqua Alta by Donna Leon, Amazon Kindle format

Important Note: Price(s) verified as of the date and time shown. Price(s) are subject to change at any time. Please confirm the price of the book before purchasing it.

As Venice braces for a winter tempest, Commissario Guido Brunetti finds out that an old friend has been savagely beaten at the palazzo home of reigning diva Flavia Petrelli.

Then, as the flood waters rise, a corpse is discovered — and Brunetti must wade through the chaotic city to solve his deadliest case yet.

Acqua Alta by Donna Leon

The Silent Girls, A Suspense Thriller by Eric Rickstad, New This Week from Witness Impulse

The Silent Girls by Eric Rickstad

Every week, Witness Impulse — an imprint of William Morrow — releases new suspense and thriller digital originals, typically priced at just $2.99 each.

Omnimystery News is pleased to present you with one of this week's titles …

The Silent Girls by Eric Rickstad

A Suspense Thriller

Publisher: Witness Impulse

Price: $2.99 (as of 11/25/2014 at 12:30 PM ET).

The Silent Girls by Eric Rickstad, Amazon Kindle format

Important Note: Price(s) verified as of the date and time shown. Price(s) are subject to change at any time. Please confirm the price of the book before purchasing it.

With the dead of a bitter Vermont winter closing in, evil is alive and well …

Frank Rath thought he was done with murder when he turned in his detective's badge to become a private investigator and raise a daughter alone. Then the police in his remote rural community of Canaan find an '89 Monte Carlo abandoned by the side of the road, and the beautiful teenage girl who owned the car seems to have disappeared without a trace.

Soon Rath's investigation brings him face-to-face with the darkest abominations of the human soul.

With the consequences of his violent and painful past plaguing him, and young women with secrets vanishing one by one, he discovers once again that even in the smallest towns on the map, evil lurks everywhere — and no one is safe.

The Silent Girls by Eric Rickstad

Please Welcome Mystery Author Eliot Pattison

Omnimystery News: Guest Post by Eliot Pattison
with Eliot Pattison

We are delighted to welcome author Eliot Pattison to Omnimystery News today.

Eliot's eighth mystery in his Edgar Award-winning series featuring Shan Tao Yun is Soul of the Fire (Minotaur Books; November 2014 hardcover and ebook formats). We asked him what it is like writing books that take place in such a remote place like Tibet, and he titles his guest post for us today, "The Challenge of Faraway Mysteries".

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Eliot Pattison
Photo provided courtesy of
Eliot Pattison

Writing novels like Soul of the Fire set in a distant and sharply different culture involves the same challenges as writing historical novels. I have to create a background that faithfully reflects that culture and its people, staying true to the broad facts of life in their faraway land. But the presentation has to resonate with the Western reader, meaning I have to translate that indigenous experience into terms familiar to the reader. A simple example would be the way Tibetans speak to their gods. I've had readers already immersed in that culture remark that Tibetans don't "pray" to an almighty deity, they invoke the teaching of a particular spiritual being in a complex pantheon. I think "prayer" works fine in conveying the point to my readers, without having to digress into long discussions of cosmology.

Writers of historical novels won't succeed if their work reads like a history text, and writers of faraway mysteries won't succeed if their work reads like an anthropology tract. Readers need to "learn by doing" in the sense that they must learn about the foreign culture indirectly, often subtly, while they are working their way through the underlying mystery.

This is why in Soul of the Fire and in all my Shan novels the answers to the nagging questions behind the crimes are wrapped up in cultural elements. The crimes Shan encounters are rooted in both a modern, materialistic and militaristic Chinese world and an ancient, spiritual, and passive Tibetan world. Shan is able to solve those riddles only because he is able to bridge those markedly contrasting worlds and interpret one from the perspective of the other. He spans both those worlds but belongs to neither, often reminding me of the mandarins exiled to distant lands in early Chinese dynasties who became hermit poets.

Readers comment that they never understood what was happening in modern Tibet until they read my novels. This is another perspective on the same point. Histories, and news reports from distant lands are typically sterile and impersonal, so that individual humans who populate those stories are little more than shadows in a fog. The novelist has the ability to penetrate that fog, to put a face on faceless accounts. Novels focused on peoples distant in place and time, when done well, can transport the reader to the stark realities of those lives, allowing the reader to experience those lands, and that adversity, on a much more personal, even visceral, level.

Soul of the Fire, focusing on self-immolations by Tibetans, is meant to grab readers on this visceral level. These suicides, the last acts of men and women who can find no other way to express their frustration, are among the most desperate acts of protest the world has ever seen. Researching the new book was sometimes so wrenching I had to just put down the reports I was reading and take a walk or sit with my dog to calm myself. While the descriptions of self-immolations in the novel were painful to write, the actual factual chronicles on which they are based are even more disturbing. But they cannot be ignored.

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Eliot Pattison has been described as a "writer of faraway mysteries," a label which is particularly apt for someone whose travel and interests span such a broad spectrum. After reaching a million miles of global trekking, visiting every continent but Antarctica, Pattison stopped logging his miles and set his compass for the unknown. Today he avoids well-trodden paths whenever possible, in favor of wilderness, lesser known historical venues, and encounters with indigenous peoples.

An international lawyer by training, early in his career Pattison began writing on legal and business topics, producing several books and dozens of articles published on three continents. In the late 1990's he decided to combine his deep concerns for the people of Tibet with his interest in venturing into fiction by writing The Skull Mantra, which won the Edgar Award for Best First Mystery.

A former resident of Boston and Washington, Pattison resides on an 18th century farm in Pennsylvania with his wife, three children, and an ever-expanding menagerie of animals.

For more information about the author, please visit his website at EliotPattison.com and his author page on Goodreads, or find him on Twitter.

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Soul of the Fire by Eliot Pattison

Soul of the Fire
Eliot Pattison
A Shan Tao Yun Mystery

When Shan Tao Yun and his old friend Lokesh are abruptly dragged away by Public Security, he is convinced that their secret, often illegal, support of struggling Tibetans has brought their final ruin. But his fear turns to confusion as he discovers he has been chosen to fill a vacancy on a special international commission investigating Tibetan suicides.

Soon he finds that his predecessor was murdered, and when a monk sets himself on fire in front of the commissioners he realizes that the Commission is being used as a tool to whitewash Tibet's self-immolation protests as acts of crime and terrorism. Shan faces an impossible dilemma when the Public Security officer who runs the Commission, Major Ren, orders the imprisoned Lokesh beaten to coerce Shan into following Beijing's script for the Commission. He has no choice but to become part of the hated machine that is devouring Tibet, but when he discovers that the most recent immolation was actually another murder, he realizes the Commission itself is riddled with crime and intrigue.

Everywhere he turns, Shan finds new secrets that seem to lead to the last agonizing chapter of his life. Shan must make a final desperate effort to uncover the Commission's terrible secrets whose painful truth could change Shan's life — and possibly that of many Tibetans — forever.

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A Conversation with Historical Mystery Author S.K. Rizzolo

Omnimystery News: Author Interview with S.K. Rizzolo
with S.K. Rizzolo

We are delighted to welcome author S.K. Rizzolo to Omnimystery News today.

S.K.'s third mystery in her Regency series is
Die I Will Not (Poisoned Pen Press; November 2014 hardcover, trade paperback, and ebook formats) and we recently had the opportunity to spend some time talking with her about it.

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Omnimystery News: Introduce us to your Regency series of mysteries.

S.K. Rizzolo
Photo provided courtesy of
S.K. Rizzolo

S.K. Rizzolo: Set in Regency England, my mystery series follows the exploits of a Bow Street Runner, an unconventional lady, and a melancholic barrister. My characters do not belong to the Polite World. They do not ordinarily attend balls or visit London for the Season, and they face financial struggles as well as professional and romantic challenges. I've had a lot of fun exploring the relationships between my three protagonists. Edward Buckler, my lawyer hero, continues to battle his hopeless love for Penelope Wolfe, but she can't reciprocate his affections because she is married to a spendthrift artist who is always leaving her in the lurch.

My other sleuth is a Bow Street Runner — a forerunner to the Scotland Yard detective. John Chase is a man over forty, graying, with an untidy queue and an independent spirit that doesn't sit well with his superiors. He's a bit gruff but has a much kinder heart than he himself realizes. I suspect his growth will be about learning to connect with his fellow human beings.

OMN: Tell us something about Die I Will Not that isn't mentioned in the publisher's synopsis.

SKR: Horatio Rex, one of the suspects, is a Jewish moneylender — a cent-per-cent, as they were called. When John Chase criticizes him for taking advantage of silly young men of fashion, Rex says, "You judge me by the world's prejudice. My father was a street hawker. What professions do you imagine were open to me?" And then he makes the point that the aristocrats cheat him at every turn, which is why he has to charge such exorbitant interest. Sadly, one is all too familiar with the stereotype of the villainous Jewish loan shark, but I hadn't realized that aristocrats took advantage of the usurers too.

OMN: Are any of the situations in which your characters find themselves based on real events?

SKR: Die I Will Not is peopled with characters based on actual historical figures, whom I have fictionalized to suit the needs of my story. For example, the Jewish moneylender is a fictional re-creation of a fascinating and enigmatic figure named Jonathan King. His daughter Charlotte Dacre — Mary Rex Leach in my story — was a Gothic novelist who married a reactionary Tory journalist. This journalist is stabbed in the first chapter of the novel.

At the center of the investigation is a nasty royal scandal that erupted in the spring of 1813 when the Prince Regent and his despised wife Caroline were skirmishing in the press. It would take too long to describe the machinations and cruel games this couple engaged in over many years, but to give you an idea, the Prince once instituted an investigation into Caroline's conduct, which somehow came to be known as the "Delicate Investigation." Well, it's hard to imagine anything less "delicate" because the agents were busy interviewing her reputed lovers and accusing Caroline of having borne an illegitimate child. The investigators even grilled the poor woman's laundry maid and other servants to find out what she'd been up to. This was in 1806 — and in 1813, George and Caroline were still at it. To tell you the truth, I was rather taken aback by the sexual frankness of it all. Talk about throwing royal dignity out the window!

OMN: Describe your writing process.

SKR: It's easy to sum up my writing process: painful, agonizing rough draft. Still painful, agonizing second draft. Repeat multiple times with glimmers of hope emerging. And in the end — I say "not bad." In other words, I'm very hard on myself. But when the writing is finally coming, I can be positively surly when my husband wants to talk to me about the cat hair on the sofa or the laundry that needs to be done.

I do outline the story, but the outline is a very slippery thing. If only events would unfold as expected in the story, but that almost never happens. I've made my peace with the constant rethinking and frantic plugging up of unforeseen plot holes.

OMN: As a historical series, you must spend a lot of time researching the plot points of your stories.

SKR: I could spend days, months, years researching just one of the topics in a novel. Sometimes, I wish all those 19th-century men and women would be a little less chatty! We talk a lot today on Facebook, blogs, and discussion boards — but in terms of sheer volume these people can more than hold their own. They probably would have been right at home with Twitter too.

One of the more interesting personalities I encountered in the research for Die I Will Not was Mary "Perdita" Robinson, the actress, poet, and celebrity courtesan. I knew that she had once been the Prince of Wales' mistress. When the Prince tired of her charms, Perdita blackmailed George III, who paid this demand to stop her from publishing certain compromising letters the Prince had written to her. But I didn't know that Perdita was hoist with her own petard when some of her scandalous and passionate letters to the moneylender Jonathan King were published.

Also, I learned about the use of pseudonyms to write political letters to the press, which was common in both England and Revolutionary America. There were even a few women who adopted these aliases. One who plays a role in my story writes poems espousing the conservative viewpoint that were published in the newspaper. This was a good way to confuse people and protect one's privacy — in some ways not unlike the online identities we assume today.

OMN: What is the best advice you've received as an author? And what might you say to aspiring writers?

SKR: To produce the work to the best of my ability is my primary goal. Anything else is extra. Sometimes I have to separate myself from the cultural din that surrounds us, the clamoring for our attention that everyone experiences today. Writing has always been a solitary pursuit, and I think that solitude and mental focus are absolutely necessary to the process.

My best advice to an aspiring author is simply to read many, many books. Writers are readers, first and foremost. And from this immersion in other people's hopes and fears, writers develop a sense of empathy without which the development of character would be impossible.

OMN: Tell us how Die I Will Not came to be titled.

SKR: My title comes from Shakespeare's The Rape of Lucrece (or Lucretia), a poem about the rape of a Roman noblewoman by the king's son in 509 BC. Afterwards, the virtuous Lucretia plunged a dagger into her own breast in order to cleanse her shame. To avenge her death, her husband and his allies overthrew the monarchy and established the Roman republic. So essentially "die I will not" is Lucretia's vow that she will not fade into oblivion until her reputation is restored.

In my novel the Lucretia figure is a doomed courtesan, whose tragic story is the basis for a book about royal scandal, 19th-century journalism, and dirty politics. As I researched these topics, I became fascinated by the idea of people struggling to retain their privacy under the relentless, ubiquitous gaze of the modern world — under the gaze of scandals that simply refuse to die.

OMN: Create a Top 5 list for us on any topic.

SKR: Top 5 favorite 19th century British novels that are also outstanding period films:

1. Pride and Prejudice by Jane Austen (BBC, 1995)
2. North and South by Elizabeth Gaskell (BBC, 2004)
3. Jane Eyre by Charlotte Bronte (BBC, 2006)
4. Persuasion by Jane Austen (BBC, 1995)
5. Little Dorrit by Charles Dickens (BBC, 2008)

— ♦ —

S.K. Rizzolo is the daughter of an Italian-American avid reader and an Arkansas farm boy turned oilman. Raised in the Middle East, she had many adventures, including a brush with a cholera epidemic and an evacuation from Libya when Colonel Gaddafi seized power. In college she majored in English with no clue as to how she meant to support herself, eventually earning an M.A. and becoming an English teacher. She currently lives in Los Angeles with her husband, their empty nest recently filled by the adoption of two feral cats.

For more information about the author, please visit her website at SKRizzolo.com and her author page on Goodreads, or find her on Facebook.

— ♦ —

Die I Will Not by S.K. Rizzolo

Die I Will Not
S.K. Rizzolo
A Regency Mystery

Unhappy wife and young mother Penelope Wolfe fears scandal for her family and worse. A Tory newspaper editor has been stabbed while writing a reply to the latest round of letters penned by the firebrand Collatinus. Twenty years before, her father, the radical Eustace Sandford, also wrote as Collatinus before he fled London just ahead of accusations of treason and murder — a mysterious beauty closely connected to Sandford and known only as N.D. had been brutally slain. Now the seditious new Collatinus letters that attack the Prince Regent in the press seek to avenge N.D.'s death and unmask her murderer. What did the editor know that provoked his death?

Her artist husband Jeremy being no reliable ally, Penelope turns anew to lawyer Edward Buckler and Bow Street Runner John Chase. As she battles public notoriety, Buckler and Chase put their careers at risk to stand behind her and find N.D.'s killer. They pursue various lines of inquiry including a missing memoir, Royal scandal, and the dead editor's secretive, reclusive wife. As they navigate the dark underbelly of 1813 London among a cast driven by dirty politics and dark passions, as well as by decency and a desire for justice, past secrets and present criminals are exposed, upending Penelope's life and the lives of others.

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Dead Wrong by Leighann Dobbs is Today's Fifth Featured Free MystereBook

Dead Wrong by Leighann Dobbs

Omnimystery News is pleased to feature …

Dead Wrong by Leighann Dobbs

A Blackmore Sisters Mystery

Publisher: Leighann Dobbs

… as today's fifth free mystery ebook.

Dead Wrong by Leighann Dobbs, Amazon Kindle format

This title was listed for free as of November 25, 2014 at 7:40 AM ET. Prices are subject to change without notice. The price displayed on the vendor website at the time of the purchase will be the price paid for the book. Please confirm the price of the book before completing your transaction.

For a summary of all of today's featured titles, plus any that may have appeared before and are repeat freebies, visit our Free MystereBooks page. This page is updated daily, typically by 8 AM ET.

More on today's free book, below.

There's more than one secret in the old Blackmoore house. Some have been buried for a long time and some are sitting closer to the surface.

Morgan and Fiona Blackmoore enjoy their simple life in the sleepy ocean-side town of Noquitt Maine where they offer herbal remedies and crystal healing for locals and tourists alike. Until Morgan is accused of killing the town shrew, Prudence Littlefield.

Suddenly the girls find themselves scrambling to find the real killer while they battle a crooked Sheriff, planted evidence, and a long list of suspects that all had a reason to want Prudence dead.

Handsome Jake Cooper is new to the Noquitt Maine police force, which is exactly why Fiona Blackmoore doesn't trust him. But with time running out and the evidence against her sister piling up, Fiona has to make a choice — will she trust Jake with her sisters case … and her own heart?

Add in an old mansion on the cliffs of Maine, an attic full of mysterious treasures, and a cat that has the uncanny ability to show up at exactly the right time and Fiona has her hands full proving the Sheriff's accusations about her sister being a murderer are dead wrong.

Dead Wrong by Leighann Dobbs

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