Tuesday, December 02, 2014

The Monarch, A Suspense Thriller by Jack Soren, New This Week from Witness Impulse

The Monarch by Jack Soren

Every week, Witness Impulse — an imprint of William Morrow — releases new suspense and thriller digital originals, typically priced at just $2.99 each.

Omnimystery News is pleased to present you with one of this week's titles …

The Monarch by Jack Soren

A Suspense Thriller

Publisher: Witness Impulse

Price: $2.99 (as of 12/02/2014 at 12:30 PM ET).

The Monarch by Jack Soren, Amazon Kindle format

Find more newly released mystery, suspense and thriller titles on the Omnimystery News Facebook page.

Important Note: Price(s) verified as of the date and time shown. Price(s) are subject to change at any time. Please confirm the price of the book before purchasing it.

Imitation is the deadliest form of flattery …

When Jonathan Hall walked away from his career as an international art thief to be a father, he thought he'd made a clean break — from crime, from life as The Monarch, from an early grave.

But when The Monarch's signature symbol resurfaces, carved into the mutilated bodies of New York's elite, Jonathan realizes his retirement may have been short-lived. Someone is framing The Monarch for horrific slayings. But Jonathan and his former partner, Lew, know this isn't just murder — it's a message.

Now caught in a deadly game against a fanatical madman whose reach penetrates the darkest corners of the globe, Jonathan and Lew have no choice but to play along. But when Jonathan's daughter becomes a pawn, all bets are off. To win this game, Jonathan and Lew will have to accept one final task as The Monarch — a job that could change the course of history forever.

The Monarch by Jack Soren

An Excerpt from the John Decker Technothriller 404 by J.G. Sandom

Omnimystery News: An Excerpt courtesy of J.G. Sandom
404 by J.G. Sandom

We are delighted to welcome author J.G. Sandom to Omnimystery News today.

J.G.'s new technothriller featuring FBI cryptanalyst forensic examiner John Decker is 404 (Cornucopia Press; November 2014 trade paperback and ebook formats), and we are pleased to introduce you to it with an excerpt, Chapter 40.

— ♦ —

404 by J.G. Sandom

Friday, December 13

THE MIDNIGHT BLACK GTO TORE UP Route 2 heading eastbound toward Boston. Inside, Decker leaned forward to peer through the rain-spattered windshield. He kept an eye open for more cops as he swerved between cars.
  "We've got to get off the highway," he said. "Where the hell is that exit? I can't see a damned thing in this rain."
  "Well, if you hadn't —"
  "Don't say it." Decker glanced over at Lulu.
  "Okay, okay." Then she added, "Why's everyone slowing down?"
  He looked back at the road. It was true. All the cars before them were flashing their breaks.
  "Accident?" Lulu offered up without much conviction.
  "Or a road block," said Decker. "Wait, there's an exit sign, see? Exit 22. Route 68, Gardener."
  They slid by another car, an Audi A6 in the fast lane, and Decker noticed the driver waving at him — a young man with a wide, toothy grin and a ponytail. He pointed at a radar detector mounted on his dashboard. Then, he waved his right hand up and down, motioning for them to slow down.
  "We're in trouble," said Decker. "Looks like more cops."
  Lulu leaned forward, shielding her eyes. "Really? I don't see any cops. Where?"
   "Must be off the road someplace. The guy in the Audi just told me." Decker jammed on the breaks and the GTO dropped from seventy-five to just over sixty. The Pontiac slid in beside a Mayflower moving truck. "Where the hell is that exit?" he repeated, just as an explosion erupted behind them.
  Decker felt the car leave the ground, as if it had been literally picked up and thrown down the highway
  The windows shattered, sending pieces of window glass everywhere. There was a burst of white light. For a second, Decker was stunned. His ears simply stopped working. Then, they started to ring.
  He glanced at his side mirror. What was left of the Mayflower moving truck burst into flames, pitched into the air, and began to somersault end over end in their wake. Objects appear closer, was all Decker could think of as he braced for the truck to roll over and crush them.
  Decker stepped on the gas. The burning hulk of the moving truck kept somersaulting toward them. He held his breath as it flew directly over the Pontiac, flattening a half-dozen cars before plunging off the side of the road and down into the trees.
  "Holy shit," Lulu said. "What the fuck?"
  Rain and wind swept into the cab through the shattered windows. Decker swerved to the right, almost hitting the rear of the car right in front of them. The GTO began vibrating violently as they ran over the rumble strips.
  "It's a plane," Lulu added. "I can see it behind us."
  Decker glanced out his side window. "Where?"
  "There," Lulu said, pointing.
  He glanced back again. "That's no plane," he replied. "It's a drone."
  "A drone? You've got to be kidding. We're not in Afghanistan. What would a —"
  "It's a drone," he repeated. "Believe me. An Avenger, I think. Probably out of Hanscom Air Force Base. No, wait, that can't be. More like an old MQ-1 Predator. An Avenger would be flying much higher. Plus, it's setting off radar detectors. The new ones don't use that old tech. Brace yourself. That was only the first."
  "The first what?"
  "They usually come with two Hellfire missiles."
  "Fabulous."
  Decker laughed as he stepped on the gas. The GTO leapt up the highway, swerving now between cars.
  "There's the exit," said Lulu.
  "I see it. Keep an eye out for a white plume of smoke."
  "Smoke? What smoke?"
  "That will mark the second missile. I have an idea."
  "What? What idea?"
  "Just look for the smoke, Lulu. And tell me as soon as you see it. How high would you say that it's flying?"
  "I don't know — five thousand feet. Maybe more."
  "Be precise, for crying out loud."
  "Fine. Eight thousand feet."
  "Okay. Figure she's moving at seventy knots, and the missiles run maybe Mach 1.2, 1.3 … something like that."
  "You mean 950 MPH! How the hell —"
  "Just keep your eye on the bogie." Decker pressed his foot to the floor.
  They swerved past a couple of cars and then charged off the main road toward the exit. The Pontiac skidded and squealed on a thin patch of snow as it banked down the ramp. When they reached the road below — ironically called Timpany Boulevard, Decker noticed — he swung around and pulled off to the side.
  "What the hell are you doing?" cried Lulu. "We're sitting ducks here. Get under the overpass."
  "Just look for the smoke." Decker pulled up the parking break and put his foot on the gas. The rear tires squealed but the GTO stayed in place. His chest was completely soaked from the rain.
  "There it is. I see it. White smoke."
  Decker counted off in his head. Three, two, one. He flipped down the break lever and the car leapt down the road like a shot.
  They had just entered the shadow of the underpass when there was a frightful explosion above them. Route 2 came apart, raining huge chunks of masonry down onto the boulevard. One barely missed them as they broke into the light. Two cars sailed off the highway and came crashing down but a few feet away, exploding into bright orange flames on each side of them. Decker kept driving. He swung round the roundabout, under the overpass once again, and then back onto Timpany. Moments later, they had climbed up the entrance ramp back onto the highway.
  "Holy fucking shit," Lulu said. "I can't fucking believe it. How did you do that?"
  "It ain't over yet, potty mouth."
  "What do you mean? I thought you said Predators had only two missiles."
  "They do."
  "Then, what's the problem? What? Guns? Bombs? What?"
  Decker barely missed a silver Mercedes before sliding between a propane tanker truck and a beat-up beige camper. "No," Decker said. He gritted his teeth. They were going over a hundred now but it still seemed too slow. "Don't you see? If they're willing to shoot Hellfire missiles at us, they're not being very particular. The Predator drone. It doesn't just fire missiles. It is a missile."
  As they passed the town of Gardner to their left, Decker noticed another sign up ahead. Exit 23, Pearson Boulevard. Every other driver seemed to have the same idea, no doubt fleeing the mayhem, for the exit ramp was crowded with vehicles.
  "It's coming around," Lulu said through clenched teeth. "I can see it. Hurry, please, John. Fucking move!"
  Decker swung in behind a green Buick Skylark and a powder blue Volkswagen beetle. Without even hesitating, Decker punched the Pontiac against the Skylark's rear bumper and began to push both of the vehicles out of the way. Horns honked. Tires squealed. Moments later, the GTO was turning up Pearson and heading, once again, for the underpass. But, this time, Decker kept going. He spun round the roundabout, fishtailing badly, and flew under the bridge.
  "What are you doing?" screamed Lulu. "Why aren't you taking cover again?"
  "Because," Decker said, "this time we're not dealing with some laser-guided missile. It worked before because if they can't see you, they can't point the laser at you. But the Predator's guided by cameras and infrared, heat-seeking sensors."
  He kept looping the roundabout, slipping in and out from under Route 2. The more cars quit the highway and descended the off-ramp, the more congested the circle became. The Skylark and Volkswagen, the camper and propane truck: they crowded around them until there seemed to be nowhere to go, until the maelstrom began to stutter and slow.
  "Give me the .45," Lulu said.
  "What?"
  "Keep the shotgun. I can't carry it anyway. But give me the M and P." Without waiting for an answer, she reached over and took the pistol out of his jacket. "And no matter what happens, when the time comes, just keep going up Pearson."
  Decker watched in horror as Lulu opened her door. One second she was sitting there with the door open, the next she was standing on the edge of the frame, the road rushing beneath her, one hand on the door and the other on the roof of the car. The rain seemed to have stopped.
  "What the hell are you doing?" he shouted but it was already too late.
  Lulu leapt from the Pontiac. She did a full somersault in the air and landed somewhere out of sight on the hitch of the tanker truck. Decker felt his heart seize up in his chest. For a moment, she vanished from sight. Then, as the truck pulled forward beside him, he caught a glimpse of her in the passenger-side mirror. The image was so small, it was almost as if he were watching some YouTube video on a smartphone.
  Lulu swung up out of sight once again, only to reappear on the passenger-side running board. Moments later, she was sitting right beside the man driving the truck, the gun aimed at his face.
  There was a honk and Decker swung his head back to the road. He had almost run into the camper beside him. It peeled off down the boulevard, followed by a whole stream of cars, including the Volkswagen. But the propane truck kept by his side. They continued to circle the roundabout, flitting under the overpass and then reappearing once again into the sunlight, such as it was. Decker tried to spot the Predator in the sky but it was nowhere to be seen. Besides, the wind was rushing in with such chilling ferocity, watering his eyes, that it made it virtually impossible to see anything clearly.
  He turned back to look at the tanker truck but it had vanished. No, there it was. He could see it in the mirror behind him. The driver was standing outside the open driver-side door. Lulu had somehow managed to slip into the driver's seat. She was barely visible behind the dashboard, given her stature. The truck honked and the driver leapt from the cab into a large pile of gray snow at the foot of the pylons supporting the highway. He rolled out of sight.
  The tanker truck honked once again as they swept around the circle. Lulu was waving at him, urging him forward. Decker stepped on the gas. And, just as he slipped under the overpass and into the shadows again, the truck spun to the side. It teetered and started to tip. Decker's heart skipped as he watched the silver tanker whiplash and roll onto its side, pulling the cab over beside it.
  As it fell, the driver door opened and Lulu jumped up out of the opening. For a second or two, she balanced precariously on the frame of the door — like a surfer, her arms out — as the cab and the silver tanker threw sparks up behind her. She leapt into the air, flipping midstream, and fired back at the tanker as she sailed into the same bank of snow where the driver had fallen.
  There was a terrible blast as the propane exploded. The Pontiac was carried up by the shockwave and, with it, four other vehicles. Out of nowhere the Predator fell from the sky, drawn like a moth to the flames.
  There was a second explosion as the drone hit the deck. The highway collapsed as the Pontiac finally touched down on the boulevard. The steering wheel was ripped from his hands and Decker lost control of the vehicle. It bounced once and sailed onto the side of the road, finally coming to rest in an ice-covered drainage ditch.
  Decker reached down and unfastened his seatbelt. As he turned, he saw a huge mushroom cloud of black smoke rising up from the highway. Flames still engulfed what was left of the overpass when a shadow emerged from the cloud.
  A figure. Tiny. More phantom than human.
  It was Lulu. She walked from the smoking debris with a calmness that belied the chaos behind her.
  Decker got out of the Pontiac. He ran toward her as fast as he could. As he approached her, she lifted her hand and gave him the tiniest wave. Then, without warning, she collapsed onto the street.

— ♦ —

J.G. Sandom
Photo provided courtesy of
J.G. Sandom

J.G. Sandom co-founded the world's first interactive advertising agency, Einstein and Sandom Interactive (EASI), in 1984, before launching his writing career. While known mostly as a writer of thrillers and mysteries, Sandom is also the author of several Young Adult (YA) novels, originally released under pen name T.K. Welsh. He continues to consult in the world of interactive advertising and digital marketing communications, and is currently working on a new YA novel.

For more information about the author, please visit his website, or find him on Facebook and Twitter.

— ♦ —

404 by J.G. Sandom

404
J.G. Sandom
A John Decker Technothriller

Planes crash into one another midair. Nuclear power plants go berserk. Railroad crossing gates rise, letting cars pass just as trains whistle by. Thousands are injured or killed. The only connection between these seemingly unrelated events is that the systems controlling them are all Internet-driven.

FBI cryptanalyst forensic examiner John Decker, working at the National Counter Terrorism Center in Northern Virginia, uncovers a deadly plot to sabotage a key US defense contractor. When the plot leads to an old Islamist adversary, long thought dead, Special Agent Decker has no idea he is about to be thrust into a diabolical conspiracy that winds to the heart of our national defense.

In the course of a week, America is paralyzed by a series of devastating cyber-attacks that cripple the nation's security, financial markets and transportation systems. Assisted by beautiful and brilliant computer expert Xin Liu (Lulu), Decker must unravel the mystery behind whoever — or whatever — is taking over the Net.

Who's responsible for these deadly cyber-attacks? Is it Jihadists of the Crimson Scimitar cell, led by Decker's old nemesis, El Aqrab? Is it North Koreans, working out of Dandong, China, instead? Or, is it somebody else altogether?

Amazon.com Print/Kindle Format(s)

A Conversation with Novelist Judy Dailey

Omnimystery News: Author Interview with Judy Dailey
with Judy Dailey

We are delighted to welcome author Judy Dailey to Omnimystery News today.

Judy's second novel of suspense, Forget You Ever Knew Me (Five Star; November 2014 hardcover and ebook formats) is recommended for readers that care about strong women struggling to make sense of their past and a daughter's enduring love for her imperfect mother.

We recently had the chance to talk with Judy a little more about her book.

— ♦ —

Omnimystery News: You've written both series novels and stand-alones. How do you go about deciding whether or not a new book with be part of a series or not?

Judy Dailey
Photo provided courtesy of
Judy Dailey

Judy Dailey: I start writing with a character in a situation. That character develops as she deals with the situation, and her personality determines whether the book will be part of a series or a stand-alone mystery.

Sunny Day Dahl, the heroine of my first book, Animal, Vegetable, Murder, is widowed and pregnant when she finds a dead man in a patch of organic Swiss chard. Worse yet, the dead man is clutching a picture of her late husband wearing little more than a pink feather boa and red stiletto heels. In the second book, Murder Gets Your Goat, Sunny adds a nanny goat to her urban farm while she juggles motherhood and a new career. The goat finds a body in the snow, and Sunny has another crime to unravel. Sunny belongs in a series because she has so many issues to work through: her past as a foster child, her hasty marriage, how to be a single parent, and if she should take a chance on love. Her character will grow and develop over the course of the Urban Farm series.

Forget You Ever Knew Me is a stand-alone novel about a woman driven to right a terrible wrong. This experience will change her forever and complete the arc of her character.

OMN: How much of your own personal or professional experience have you included in your books?

JD: I believe everyone sees the world through the lens of his/her own experience. Even authors writing about the Zombie Apocalypse address that fantasy world based on their unique life experiences. I found after I had written my first five (unpublished) mysteries that my books deal with motherless women trying to find their place in a hostile world. Not to get all Freudian about it, but my mother died when I was four years old under circumstances I still find hard to understand, which certainly created my interest in that topic.

The important thing about writing from one's own experience is that feelings are universal even if specific experiences are not. Everyone has dealt with loss, everyone has made a terrible mistake, everyone has struggled to discover who they are. If I can draw on my life to create real and true feelings in my characters, then my readers will understand and relate to those characters even though their losses and struggles are different from mine.

OMN: Describe your writing process for us.

JD: I start with a character in a situation, and get to know my characters as I write about them. In Forget You Ever Knew Me, Ellie, who grew up believing her mother died when she was a toddler, discovers her mother is still alive. Angry, joyful, and wary, all at the same time, Ellie is driven to find out what happened, why her mother abandoned her. In some sense, Ellie and I embarked on the journey of discovery together. As I write, I want to surprise and interest myself. I want to find out what happens next. I want to know whodunit and why.

I outline after I have a good rough draft to make sure all the bits and pieces of plot and character are in place. I develop the cast of characters as my heroine meets them and write their biographies as I learn who they are.

The only aspect of the first draft that I rigidly structure is character names. I keep an on-going list (first, last, and nickname) so I don't end up with multiple characters with similar names. As a reader, I get very cranky which I have to go back to the beginning of the book to figure out whether Maryanne, Marion, or Marie is the victim, the detective, or the key witness.

Most of all, my goal is to tell a good story.

OMN: What is a typical day for you while you're writing a book?

JD: My writing day starts with walking my dog for an hour through a park near our home. Walking seems to clean the cobwebs out of my brain. By the time I return home, I almost always have the germ of an idea — a key word or phrase that will springboard a new scene. My dog and I retire to my office while my husband fixes breakfast for both of us. We eat and then I shut the door until noon. I am a firm believer in making a habit of writing at the same time in the same place every day, especially when I'm working on the first draft. My office is small but cheerful with a dog bed in one corner and a cookie jar full of dog treats. I painted the walls bright yellow and pinned my favorite pictures and mementos to the walls. I play classical music while I write. Recently I added a crib, diaper pail, and a garland of paper elephants because I take care of my new grandson two days a week. Now my office smells like baby, which is just wonderful.

My best suggestion for writers: keep a piece of paper and pencil next to your computer. When I get distracted wondering if I paid the light bill or defrosted something for dinner or responded to that important email, I jot down the question and put it out of my mind until noon.

I write on a mini laptop, which is small enough to carry with me. I work on edits and tweaks anytime I have fifteen minutes or more: dentist's office, in the car while my husband shops for hardware, or on a road trip in our teardrop trailer.

OMN: How do you go about researching the plot points of your stories?

JD: Researching Forget You Ever Knew Me was a surprising experience. I wrote the first draft with the story set in present-day Seattle, then realized the story truly belonged to rural Indiana in the 1950's. I rewrote the book in that setting drawing primarily on my earliest memories, particularly of my grandmother.

After the second draft was finished, my critique group asked me many, many pointed questions about the setting. For example, the hospital in Zillah has a plaque commemorating a donation from the Klu Klux Klan. "Really?" my critique group said. "The Klan built hospitals?"

I though the hospital where I worked as a teenager had a plaque like that, so I researched the KKK and discovered, yes, my memory was correct. I live only a couple of blocks from the University of Washington Medical School, and I drew extensively on its collection to fact-check medical care in the 1950s. I haunted used book stores for books published in 1950-1952 or editions published then. Among my found treasures are: Roget's Thesaurus, Joy of Cooking, a history of Memorial Hospital Indianapolis, and the book the Indiana Department of Health gave every first-time mother.

I love Internet research, especially when I can't remember how something is spelled or I want to locate original source material. A Yahoo search turned up a documentary from the 1960s about a Chicago clinic for low-income mothers and children, which I bought and watched. I know writers should be wary of Internet sources, but I also believe that if my readers have a question about something in my book, they probably will turn to the Internet first for an answer.

OMN: Who reads the drafts of your books before they're submitted for publication?

JD: I liken writing to singing in the shower. When I'm standing under a stream of water and belting out "I Wanna Hold Your Hand," I hear the backup singers, the complete orchestration, and, of course, the other four Beetles singing along with me. My husband, standing in the hallway outside the door, only hears my quavering and off-key voice. And it's pretty off-key. And quavering.

The point is, when I write a scene I see the characters, hear their voices, and understand their motivation. Unfortunately, the written page often doesn't contain all that richness, especially the first draft. The reader doesn't know what I meant to say, she only knows what's on the page. I rely on a critique group of mystery/thriller writers to help me figure out how to bridge the gap between what I intended to say and what I actually wrote.

The group is very structured. We meet at every week at a local independent bookstore. We submit no more than 3500 words every Sunday by 6:00 pm. Each of us comments on every submission and brings a hard copy to our Tuesday meeting. The author can't respond until everyone has finished reacting to his/her submission, and we work very hard on not being defensive. I may not incorporate every comment, but if two or three people get stuck at the same point, I know I need to do more work.

I think another occupational disease for writers is dashing out a first draft and then wanting to read all those wonderful words out loud — even to strangers on the street. A critique group is a great way to satisfy that urge and still give the work time to mature before it goes public.

Finally, I'm lucky to be part of a group of terrific writers who inspire and nag me in equal proportions.

OMN: What's next for you?

JD: My husband and I own a 1929 Model A Ford. After spending 15 years restoring the car, we painted it bright yellow and drove to Indiana. Next year, we plan to drive it more than 7,000 miles roundtrip from Seattle to Halifax, Nova Scotia on the Trans-Canada Highway. Road trips are fun because every time we stop, or even pause for a stoplight, someone (inevitably a man) comes up to tell us the story of his car or his grandfather's car. Cruising at 45 mph with the windows rolled down means we really experience the countryside. We hear the birds, smell the cows, and chase bumblebees out of the backseat. Something goes wrong with the car almost every day, but my husband is a gifted mechanic who can do a lot with a bobby pin and a piece of bubble gum. As a teenager, I learned to drive on a John Deere tractor, which turns out to be a pretty good introduction to driving a Model A. You can see pictures of our car or follow our adventures on Facebook.

— ♦ —

Judy Dailey grew up on an 80-acre organic farm in Indiana. Now she lives on a 1200-square-foot urban farm in Seattle, Washington, with her husband, six chickens, and a dog. A graduate of Bryn Mawr College, Judy earned an MBA from the University of Washington and a certificate in compost management. She has been a pilot, skydiver, spelunker, bicyclist, skier, and night-time sailor. She managed a multi-million-dollar grant fund for affordable housing. She handcrafts artisan salami, beer, and ricotta cheese.

For more information about the author, please visit her website at JudyDailey.com, or find her on Facebook.

— ♦ —

Forget You Ever Knew Me by Judy Dailey

Forget You Ever Knew Me
Judy Dailey
A Novel of Suspense

It's 1952. Maggie Kendall, an idealistic young doctor, must chose life or death for one of her patients under horrifying circumstances. She makes the wrong decision and loses her home, her husband, and her infant daughter. She flees to the south side of Chicago where she provides medical care to the poorest of the poor.

Forty years later, Maggie sees a chance to return home and right a terrible wrong, but this time the stakes are even higher.

Amazon.com Print/Kindle Format(s)  BN.com Print/Nook Format(s)

The Path of the Dead by Caroline Benton is Today's Third Featured Free MystereBook

The Path of the Dead by Caroline Benton

Omnimystery News is pleased to feature …

The Path of the Dead by Caroline Benton

A Crime Thriller

Publisher: Endeavour Press

… as today's third free mystery ebook.

The Path of the Dead by Caroline Benton, Amazon Kindle format

This title was listed for free as of December 02, 2014 at 7:20 AM ET. Prices are subject to change without notice. The price displayed on the vendor website at the time of the purchase will be the price paid for the book. Please confirm the price of the book before completing your transaction.

For a summary of all of today's featured titles, plus any that may have appeared before and are repeat freebies, visit our Free MystereBooks page. This page is updated daily, typically by 8 AM ET.

More on today's free book, below.

A middle of the night call to a burnt-out house is pretty much routine for the Devon Fire Brigade photographer Gus Tavender. Discovering a charred body locked in a secret room is not. But from that moment on, very little in her life can be classed as routine.

The following day, while filming on Dartmoor, she meets Judith, an old acquaintance from college days. The reunion can hardly be described as cordial, so Gus is surprised when, a few days later, a letter arrives, inviting her to visit. But Judith has an agenda. She is determined to learn the truth about her aunt's death. The old lady fell into a quarry while walking on the moor — a tragic accident, according to the police. But Judith believes otherwise. In her aunt's remote house she has found diaries which leave little doubt the old woman was living in fear of her life. Delusion? Not if subsequent events are anything to go by.

Persuaded to help, Gus begins to make enquiries, leading her to suspect a connection between the old lady's death and the body in the locked room. But there are darker forces out there than even she imagines, and before long Gus is plunged into a nightmare world of corruption and violence — a world that someone, somewhere, will go to any lengths to protect …

The Path of the Dead by Caroline Benton

The Traitor by Jo Robertson is Today's Second Featured Free MystereBook

The Traitor by Jo Robertson

Omnimystery News is pleased to feature …

The Traitor by Jo Robertson

A Bigler County Romantic Thriller

Publisher: Mckay Lewis Publishers

… as today's second free mystery ebook.

The Traitor by Jo Robertson, Amazon Kindle format

This title was listed for free as of December 02, 2014 at 7:10 AM ET. Prices are subject to change without notice. The price displayed on the vendor website at the time of the purchase will be the price paid for the book. Please confirm the price of the book before completing your transaction.

For a summary of all of today's featured titles, plus any that may have appeared before and are repeat freebies, visit our Free MystereBooks page. This page is updated daily, typically by 8 AM ET.

More on today's free book, below.

Assistant district attorney Isabella Torres and DEA Agent Rafe Hashemi want to prosecute the same man, notorious and vicious Diego Vargas. But Isabella believes Vargas knows something about the disappearance of her older sister twenty years ago and wants to charge him for his current human trafficking operation. Rafe wants to nab the corrupt councilman for drug trafficking.

When Isabella and Rafe meet anonymously at an upscale bar and end up spending a passionate night together, only to learn the next day who the other is, sparks fly and the game is on for control of the case. Forced to cooperate with each other, they must balance the danger of the case against the danger of their hearts.

The Traitor by Jo Robertson

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