Saturday, September 20, 2014

Rancher Under Fire by Vickie McDonough, New from Harlequin Love Inspired Suspense in September 2014

Rancher Under Fire by Vickie McDonough

Omnimystery News is pleased to introduce a new mystery, suspense, or thriller title from Harlequin, published this month …

Rancher Under Fire by Vickie McDonough

Imprint: Love Inspired Suspense

Rancher Under Fire by Vickie McDonough, Amazon Kindle format

For more information about the book, see a synopsis, below.

Jackson Durant would go to any lengths to protect his young daughter and his ranch. He knows the puzzling incidents on his homestead are no accidents. Someone is after him … but who? And why?

Reporter Mariah Reyes is determined to find out. She never expected her pursuit of a story on the reclusive rancher would endanger her life — nor that she'd fall for the cowboy. But when Jackson's daughter is kidnapped, she'll do anything to help save the little girl — even if it means becoming a target herself.

Rancher Under Fire by Vickie McDonough

Dead Wrong, A Blackmoore Sisters, Paranormal Cozy Mystery by Leighann Dobbs, Now Available at a Special Price

Dead Wrong by Leighann Dobbs

Omnimystery News is always searching for newly discounted mystery, suspense, thriller and crime novels for our readers to enjoy. Today, we're pleased to present the following title, now available at a special price courtesy of the author …

Dead Wrong by Leighann Dobbs

A Blackmoore Sisters, Paranormal Cozy Mystery (1st in series)

Publisher: Leighann Dobbs

Price: $0.99 (as of 09/20/2014 at 1:00 PM ET).

Dead Wrong by Leighann Dobbs, Amazon Kindle format

Important Note: Price(s) verified as of the date and time shown. Price(s) are subject to change at any time. Please confirm the price of the book before purchasing it.

There's more than one secret in the old Blackmoore house. Some have been buried for a long time and some are sitting closer to the surface.

Morgan and Fiona Blackmoore enjoy their simple life in the sleepy ocean-side town of Noquitt Maine where they offer herbal remedies and crystal healing for locals and tourists alike … until Morgan is accused of killing the town shrew, Prudence Littlefield. Suddenly the girls find themselves scrambling to find the real killer while they battle a crooked Sheriff, planted evidence, and a long list of suspects that all had a reason to want Prudence dead.

Handsome Jake Cooper is new to the Noquitt Maine police force, which is exactly why Fiona Blackmoore doesn't trust him. But with time running out and the evidence against her sister piling up, Fiona has to make a choice — will she trust Jake with her sisters case … and her own heart?

Add in an old mansion on the cliffs of Maine, an attic full of mysterious treasures, and a cat that has the uncanny ability to show up at exactly the right time and Fiona has her hands full proving the Sheriff's accusations about her sister being a murderer are dead wrong.

Dead Wrong by Leighann Dobbs

Mystery Bestsellers for the Week Ending September 20, 2014

Bestselling Crime Fiction: Hardcover Mysteries, Suspense Novels and Thrillers

A list of the top 15 Mystery Hardcover Bestsellers for the week ending September 20th, 2014 has been posted by the Hidden Staircase Mystery Books.

The 19th Jack Reacher thriller by Lee Child, Personal, retains its position at the top of our list for a second week.

One new title enters the list this week; debut position in [brackets].

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Raging Heat by Richard Castle

[10]: Raging Heat
Richard Castle
— The Nikki Heat Series (6th)

An illegal immigrant falls from the sky and NYPD Homicide Detective Nikki Heat's investigation into his death quickly captures the imagination of her boyfriend the Pulitzer Prize-winning journalist, Jameson Rook. When he decides to work the case with Heat as his next big story, Nikki is at first happy to have him ride along. Yes, she must endure Rook's usual wild conspiracy speculations and adolescent wisecracks, but after reuniting following his recent assignment abroad, she's glad for the entertainment, the chance to bounce ideas, and just to be close to him again and feel the old spark rekindle.

But when Rook's inquiry concludes that Detective Heat has arrested the wrong man for the murder, everything changes. Balancing her high stakes job with a complicated romance has been a challenge ever since Nikki fell for the famous reporter. Now, her relationship lurches from mere complexity into sharp conflict over the most high-risk case of her career. Set against the raging force of Hurricane Sandy as it pounds New York, Heat battles an ambitious powerbroker, fights a platoon of urban mercenaries, and clashes with the man she loves.

Detective Heat knows her job is to solve murders. She just worries that solving this one will be the death of her relationship.

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An Excerpt from Murder on the Second Tee by Ian Simpson

Omnimystery News: An Excerpt courtesy of Ian Simpson
Murder on the Second Tee
by Ian Simpson

We are delighted to welcome mystery author Ian Simpson to Omnimystery News today.

Ian's second mystery to feature newly promoted DI Flick Fortune and DS Bagawath Chandavarkar is Murder on the Second Tee (Matador; June 2014 trade paperback and ebook formats) and we are pleased to introduce you to it with an excerpt, the first two chapters.

— ♦ —

Murder on the Second Tee by Ian Simpson

THE FIRST BLOW TOOK HUGH PARSLEY by surprise. It fractured his right temporal bone and tore the middle meningeal artery. He stumbled and fell face down on the grass. A blow to the back of his neck cracked the occipital bone at the base of his skull. He was struck several times about the left temporal area. His brain, penetrated by bony fragments and squeezed by bleeding within the skull, ceased to function. Hugh Parsley was dead.

2

The man was on his front, arms outstretched, dark blood staining the closely-mown grass on which he lay. The little that could be seen of his face was a red, pulpy mess.
  Detective Inspector Flick Fortune curled her lip as she looked down on him. Then her stomach heaved. She straightened up, swallowed hard, concentrated. All in vain. Her mouth filled and she ran to the bushes several yards in front of the second tee of St Andrews' historic Old Course. She bent over then spewed her breakfast into a spiky whin.
  Meanwhile, earnest as a primary teacher at a school sports day, PC John Robertson laid blue and white tape in a circle round the body. The gentle breeze preparing to test the golfers on this dull, soft, late November morning tugged the unsecured tape giving it a mind of its own. When Flick returned, trying to look as if nothing had happened, Robertson scurried round the perimeter of his plastic circle trying to flatten the tape on the grass.
  She felt the red tide spread up from her neck. Nearly polluting the crime scene of your first murder as an inspector was as unimpressive a start as you could get. She longed to scream at the gangly young constable that she had seen hundreds of bodies in the Met, but needing to explain was a sign of weakness, and for the next three weeks anyway the life inside her was to be a secret.
  'Who found him?' she barked.
  'A greenkeeper, ma'am. They go out while it's still dark to prepare the course.'
  'Has anything been touched?'
  'Macphail, that's the greenkeeper, says he didn't move anything, ma'am. But he did switch the green.' He nodded at the expansive first green, clear of the dew covering the rest of the course. From the direction of play it was flat with hummocks at the back. In front, the Swilken Burn flowed along a channel between wooden sleepers, ready to swallow a shot which was short or topped.
  'Did he not think?'
  'He said he didn't want to disturb him.' Robertson looked at the body, feet on the right extremity of the green, head and torso on the second tee and shuddered.
  'Said he thought the guy was drunk.'
  'What on earth …?'
  'It's dark when they come out, ma'am, and he started sweeping the dew on the other side of the green. He says he went round him carefully then gave him a wee poke and saw he was dead.'
  'Right,' she said quickly. The greenkeeper had ruined any evidence the killer had left on the green and she wasn't in the mood for his lame excuses. The corpse was much more interesting. He looked about forty-five, probably just under six feet, with thick, dark hair. He wore a golf jacket which had ridden up his back, dark grey slacks which retained their crease and black shoes sporting ornamental buckles. Some of the lining of his hip pocket protruded.
  The call had come as Flick finished breakfast. It was Friday and her husband Fergus had suggested going out for dinner. Watching what she ate and not drinking, she had been unenthusiastic. Fergus's efforts to encourage her had been interrupted by the excited, very Scottish voice of the telephonist in the main office in Cupar. The relish with which she had announced a sudden death had been positively ghoulish.
  Leaving Fergus with the dishes, it had taken Flick five minutes to arrive at the scene. Robertson had been there, clutching the crime tape and glancing uncertainly towards the first tee. He did not lessen her feeling that she was meeting this challenge on her own. In her rush she had forgotten gloves. She stuck her hands in the pockets of her padded coat and surveyed the humps and hollows forming the most famous golfing acres in the world. Behind them, pointing heavenwards, the roofs and spires of the Royal Burgh of St Andrews formed a jagged backdrop. Flick had not lived there long, but had already begun to think of it as home. Despite a history full of violent death, in this century it was a fine, safe place to bring up the child she was carrying. Visually unique, the golf course finished almost in the town itself, an irregular terrace of buildings, haphazardly designed, marking the boundary. This morning the whole scene had been painted over by a dark grey wash making everything monochrome and drab.
  Perhaps the greenkeeper had not spoiled anything after all. Off the green the dew lay thick on the ground, undisturbed except by her feet and Robertson's. The body had almost escaped its pale shroud. She puzzled over this then remembered her physics; damp air condensed on hitting a cold surface, not a warm one. A shout of 'fore' from the first fairway disturbed her and a ball thudded into the turf, leaving a plug-mark in the soft green a few metres away. 'Stop these people, for God's sake,' she commanded.
  Robertson picked up the ball and ran at the four approaching players, waving his arms and shouting. An animated dispute followed as the golfers saw no reason why a mere fatality should interfere with their game. Flick took a deep breath. Where on earth was the team supposedly coming from Cupar? It was just a few months since she had moved from London and policing the East Neuk of Fife was completely different to what she had been used to. Even the slobbish Inspector No seemed dynamic by comparison with some country 'bobbies'. She willed herself to be patient.
  As the players reluctantly trudged back to the first tee, she looked round. In the opposite direction from the town, the five-star Old Course Hotel loomed over the seventeenth hole like a huge yellow cruise liner in a small port. A few people out on balconies craned for a better view. The news was bound to spread.
  'They saw the point in the end, ma'am,' Robertson said, breathing heavily. 'They said they'd tell the starter not to let anyone else off the first tee. But we'd better talk to him soon. He won't be pleased.'
  'We need more police here. You did tell Cupar it was a murder?'
  'I said I thought it was. I didn't want to alarm them, ma'am. In case …'
  'Well give me your radio …'
  She was interrupted by a shriek of 'Hugh, Hugh!' A woman wearing sky-blue slacks and jumper was running across the golf course from the direction of the hotel. As she got closer, Flick reckoned she was in her mid-thirties. Her auburn hair was disheveled and she wore no makeup. 'Is he alright?' she gasped as Flick cut her off before she could see the full horror of the corpse's face. Speaking softly and with authority, Flick put her arm round her and steered her back towards the hotel, walking slowly. She caught a whiff of stale perfume.
  The woman's name was Belinda Parsley and she spoke with the South of England accent that Flick often missed. She and her husband Hugh were guests in the hotel, attending a business weekend. The previous evening he had been up late with colleagues discussing work. She had gone to bed and fallen asleep. He had not been beside her in the morning and she had got up to look for him. She had heard someone talking about a body on the course.
  'Is a doctor coming?' she asked.
  'The man is dead,' Flick said quietly.
  'Please, please tell me it isn't him,' the woman implored, straining to look behind her.
  'What does your husband look like?' Flick asked, tightening her hold round her waist.
  'Tall, nearly six feet. Dark hair. Handsome, well I think so …' She dissolved into tears.
  'What was he wearing last night?'
  'A shirt, no tie or jacket, grey slacks. They were new,' she sobbed.
  'What colour were his shoes?'
  'I can't remember. Black, I suppose.'
  'Did he have black shoes with buckles on them?' Belinda Parsley shook uncontrollably and twisted free. 'Oh no. It's him, isn't it? Dead? I can't believe it. No.' The last word came out as a long wail of anguish. 'Why won't you let me see him?'
  Flick stood in front of her, arms out. 'We can't be definite, but I'm afraid it seems likely it's him. If it is, you will certainly see him later.'
  'I want to see him now.'
  'Please, Mrs Parsley, no. He's received some nasty injuries and this is a crime scene. We believe your husband was murdered.'
  The distraught woman took a step back then stared at the body. Flick wondered if she was about to try to give her husband a last, bloody embrace, but to her relief Mrs Parsley stood still, composing herself.
  'How did he die?' she asked, her voice catching.
  'I believe he was assaulted, but we'll only know after the post mortem.'
  'Did he suffer much, do you think?' She turned and locked her eyes on Flick.
  This was part of the job that never got easier. 'It was probably quick,' she said, trying to sound authoritative, hoping she would not be proved badly wrong.
  To Flick's relief, three marked police cars parked on the road beside the seventeenth green. Four uniformed constables and a plain clothes officer plus scenes of crime officers and a civilian photographer walked over. They had with them the white tent needed to shield the body and, after the photographer had taken some longer shots, erected it quickly. Detective Sergeant Lance Wallace, a stolid man in his mid-forties whose competence Flick respected, directed this operation.
  'We need a pathologist,' she said to him.
  'Dr MacGregor's coming from Dundee, ma'am. He should be here shortly.' Wallace spoke slowly in a matter of fact tone roughened by a Scottish accent that was not pronounced. Flick found his presence reassuring.
  'I don't want the body touched.' She looked towards the first tee of the Old Course, round which a small crowd had gathered, some of them making aggressive practice swings. 'And I don't want to have any golfers here until we're finished. You go and tell the starter.' Aware of sounding shriller than someone in control should, she saw no reaction on Wallace's face.
  'I'll have a wee word,' he said and set off unhurriedly towards the first tee.
  There was one female officer present, Constable Amy Moncrieff. She had immediately gone to the sobbing woman. Flick wished she had more experience, but reckoned that even an inexperienced female officer would get more out of Mrs Parsley than any of the men.
  'Take her to her room in the hotel, obtain a photograph of her husband and encourage her to talk,' Flick instructed. Amy gently took the ashen-faced woman's arm and escorted her back to the hotel.
  For the first time that morning Flick began to feel in control. She hoped the pathologist would arrive soon. Her husband, Fergus Maxwell, was a detective inspector in the Dundee police and had many tales about Dr MacGregor, whose flamboyant style in the witness box had left a deep impression on many juries. She looked forward to meeting him.
  As she gazed round the historic links and towards the old grey town, she began to think seriously about the course of the investigation. Should she set up the incident room in the cramped and lightly-manned St Andrews office or eight miles away in the main office in Cupar? She would have to interview the hotel guests before any checked out. The staff too. In her own mind she was sure Mrs Parsley was a widow, but that had to be settled beyond any doubt. If the dead man had known his murderer, his work colleagues should all be regarded as suspects. His wife as well, though her reactions had seemed genuine.
  A man wearing a long, brown coat and a Cossackstyle hat approached from the direction of the town. He carried a bulky case, smoked a cigar and seemed in no hurry. 'Mrs Maxwell, I believe,' he said, bowing his head, 'or should I say Inspector Fortune?'
  Flick shook his outstretched hand. 'Inspector Fortune today,' she said brusquely. 'And who might you be?'
  'My name is Robert MacGregor, ma'am. I believe you
  are in need of a humble pathologist, and I just happen to be one.' His twinkling eyes disconcerted her, never happy when being made fun of, even in a minor way.
  'Oh good,' she said. 'Well, there he is.' She nodded at the tent, where flashes of light shone through the material as the photographer snapped away.
  MacGregor took a puff of his cigar before exhaling. He then summoned PC Robertson to hold his coat, hat and cigar as he donned a white sterile suit and gloves. He picked up the bag containing his instruments, muttered 'Into the valley of death …' then drew aside the flap of the tent.
  Flick was about to put on a sterile suit and follow him when the oldest of the constables, McKellar, shouted to her. He pointed into the Swilken Burn. In the opaque water she could make out something the shape of a golf club with a head like a branding iron. Nearby on the muddy bed of the burn lay a dark green pole about six feet long with a small mesh basket at one end.
  'What's that?' she asked.
  McKellar, a dour, angular man whose words were more respectful than his tone, smiled. 'It's a putter, ma'am. You use it on the green. The other thing's a ball scoop for wheeching your ball out of the burn.' He mimed a scooping action.
  Cross with herself for asking, she snapped, 'Well fetch some polythene to wrap them. Then climb in and remove them. And be careful. The lab may be able to recover some evidence.'
  'Right away, ma'am,' McKellar said in a sarcastic monotone then ambled towards the cars. When he returned with the polythene sheeting he looked towards Robertson. 'Hey, Robertson, I've a wee job for …'
  'PC Robertson has his hands full, McKellar,' Flick interrupted. 'And seizing the likely murder weapon should be done by an experienced officer. So take your shoes and socks off.'
  She supervised as the disgruntled McKellar bared his feet and rolled up his trouser legs. He winced when his white feet touched the cold, brown water, but in lifting the items, even wearing gloves, he took care not to touch them more than necessary and placed them, almost reverently, on separate polythene sheets. Instead of climbing out of the burn he bent down to pick up a golf ball.
  'A Titleist,' he said, 'with "HP" written on it.' Flick could see black marker ink on the ball. It was another pointer to the identity of the corpse.
  Kneeling to examine the putter, she could see that the shaft was bent. It had a blue grip and a clumsy-looking head, with bars protruding backwards from either end of the blade. She knew golfers used some strange implements but this one looked extraordinary.
  'Have you found the murder weapon?' MacGregor asked from behind her.
  'Possibly,' Flick replied. 'What do you think?'
  MacGregor squatted beside her and inspected the items closely. 'It's a mistake to make early assumptions, but my guess is that this putter was used on him. We'll know better once we have the lab report and the PM.'
  He peeled off the sterile suit and put on his coat and hat. He took from Robertson his cigar, which had gone out, and clamped it between his teeth. Observing his red bow tie, Flick remembered Fergus telling her that after inadvertently inserting a conventional silk tie into a corpse's rectum along with the examining finger, MacGregor never again sported a tie that might dangle. She would have liked to have been a fly on the wall that day.
  'He was battered to death, poor chap.' MacGregor sounded matter of fact. 'A number of heavy blows to the head, possibly with more than one weapon. Some of the blows were inflicted by something that did not have a smooth surface. Could well have been the back of that odd-looking putter. Died about one this morning, give or take an hour or so, but the injuries were probably sustained earlier. I'll do the PM this afternoon and I'll phone you afterwards. Could I have your mobile number?'
  They exchanged numbers then MacGregor said, 'A pleasure to meet you, Inspector Fortune. I've always enjoyed working with your husband. He's an outstanding officer.' He lit his cigar and sauntered back to his car.
  Flick looked at Robertson, who was wiping his hand on the leg of his trousers.
  'That thing he smokes is disgusting, ma'am. It's all slobbery to hold, too.'
  'You should have dropped it. I'd have backed you. By the way, was that a real dead animal on his head?'
  'Oh, yes, ma'am. There's even a wee paw at the back.'
  She pursed her lips but said nothing. Like many who had lived all their lives in cities, she strongly disapproved of blood sports. She wondered what Fergus saw in the pathologist.
  Sergeant Wallace came up to her.
  'They know we mustn't be disturbed, ma'am, but there are some very disappointed golfers, desperate to play the Old. I said they could go round by the Ladies' Putting Green and start.' In answer to her bemused look he pointed to the hilly putting green bisected by a path on the other side of the second tee. He added, 'They'll play the second as a short hole. Someone's coming to put tee markers down the fairway.'
  'Well make sure it's a long way down the fairway. And if anyone sends a ball in my direction, I'll prosecute them under the Police (Scotland) Act,' she snapped. 'When the SOCOs are finished, they can have all their golf course back,' she added, not wanting to seem anti-golf.
  'I made sure they know to give us a wide berth, ma'am.' Wallace smiled.
  She looked at the tent and shook her head. 'Why, Wallace, Why?'
  'Robbery or gay-bashing, depending on the gentleman's proclivities of course, or something else, though I doubt if it was premeditated. As vicious an attack as I've seen, ma'am.'
  Flick nodded. 'Me too. It doesn't seem a likely spot for gay-bashing. It could have been a robbery that went wrong. I wonder if he has his wallet.' She went to the tent and asked the SOCOs to see if they could find it.

— ♦ —

Ian Simpson
Photo provided courtesy of
Ian Simpson

Ian Simpson was brought up in St Andrews and played the Old Course many times. His lowest handicap was three. After fourteen years at the Scottish bar he was appointed to the bench where his workload covered the spectrum from brutal homicides to a youth who rode round Airdrie housing estates on a bike, stealing garden gnomes. When he retired, unable to spend all day on the golf course, he wrote crime fiction as well as light-hearted newspaper articles on legal topics.

He lives in Edinburgh with his long-suffering wife, Annie. They have two sons.

For more information about the author, please visit his website at IanSimpsonAuthor.co.uk or find him on Twitter.

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Murder on the Second Tee by Ian Simpson

Murder on the Second Tee
Ian Simpson
A Flick Fortune and Bagawath Chandavarkar Mystery

The first blow took Hugh Parsley by surprise. It fractured his right temporal bone and tore the middle meningeal artery. He stumbled and fell face down on the grass. A blow to the back of his neck cracked the occipital bone at the base of his skull. He was struck several times about the left temporal area. His brain ceased to function. Hugh Parsley was dead.

The directors of the niche Bucephalus Bank are meeting in a St Andrews hotel. One of them is found dead on the golf course. It is Flick Fortune's first case as a detective inspector. As she struggles to uncover the murderer behind the bank's respectable façade, she receives unexpected help from Detective Sergeant Bagawath "Baggo" Chandavarkar, who is investigating a multi-million pound money laundering scam.

Another murder follows and Flick's old boss and tormentor, ex-Inspector No, makes an unwelcome intrusion before the truth is revealed …

Amazon.com Print/Kindle Format(s)

A Conversation with Mystery Author M. E. May

Omnimystery News: Author Interview with M. E. May
with M. E. May

We are delighted to welcome mystery author M. E. May to Omnimystery News today.

Michele's third entry in her series of Circle City mysteries is Ensconced (M&B Literary Creations; March 2014 trade paperback and ebook formats) and we recently had the opportunity to talk with her more about the book and its characters.

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Omnimystery News: Introduce us to the characters of your Circle City mysteries.

M. E. May
Photo provided courtesy of
M. E. May

M. E. May: The whole idea behind the Circle City mystery series was not to have one lead protagonist who continues throughout the series, but many. My objective in making a different police officer the lead in each novel was to keep it fresh for my readers as well as for myself.

In the first novel, Perfidy, the main character is Mandy Stevenson, who is the daughter of the head of homicide. In that novel, you meet Missing Persons Detectives Tyrone Mayhew and Ben Jacobs as well as Homicide Detectives Erica Barnes and Brent Freeman — Erica Barnes is the star of Inconspicuous and Tyrone Mayhew takes the lead in Ensconced.

Using my characters in this manner gives my readers a chance to get to know them as individuals with families, friends and problems. They can see how each character's life intertwines with the others personally as well as professionally.

OMN: How do you expect these characters to develop over the course of the series?

MEM: One of the best compliments I've received from readers is in regards to my character development. I am of the opinion that no human being stays the same. Our experiences affect us in ways that make us happy, sad, fearful, ambitious, spiteful, generous and more. The things my characters deal with as police officers can't help but change them. I don't believe readers would continue to read my series if my characters never changed.

OMN: With a different lead character for each book, do you have any difficulty finding the right voice for them?

MEM: In using a police department as my "main character," I'm challenged with writing lead characters, as well as minor characters, of both genders. In my latest novel it was a joy to write from my favorite character, Tyrone Mayhew's, point of view.

Tyrone was one of the missing persons detectives in the first novel, Perfidy, and as I continued to write his scenes, I found him lovable yet tough and determined. In him, I created a faithful family man who adores his wife, has a quick sense of humor and is dedicated to the job. Of course, I threw in a few flaws like his temper getting the better of him and his propensity to open his mouth when he should keep quiet.

Since I wrote Perfidy and Inconspicuous with female leads, I wasn't sure how Ensconced would be received when I switched genders. However, those who have commented have told me that this is "the best one so far," and that lets me know I'm on the right track.

OMN: The category "mystery" tends to encompass various subgenres. Into which of these might you place your books?

MEM: I hate that we have to categorize our books. That was one of the most difficult requests I had from my first publisher, because these novels are more than just police procedurals. Granted, I was very meticulous in researching police procedures by contacting the Indianapolis Police Department to verify what I wanted to do in a scene, so the series definitely falls within this category. However, it is full of suspense and thrills, so I often categorize these novels as crime thrillers.

One of the things I dislike about categorization is that a reader might miss a great suspense novel if they aren't that crazy about police procedurals. I had one reader comment in an Amazon review that she normally doesn't read police procedurals; however, the cover of Perfidy caught her attention. She lives in Indianapolis, so when she discovered Perfidy was set there she decided to purchase it. She was so glad she decided to read it, because she loved it. If this person had gone on category alone, she might have passed it by.

OMN: Give us a summary of Ensconced in a tweet.

MEM: Ensconced, a Circle City #Mystery-hidden #secrets bend the mind leading to desperation & destruction.

OMN: How much of your own personal or professional experience have you included in this series?

MEM: I don't think we do much of anything that isn't influenced by our experiences, but I wonder if other authors write a character or situation not realizing the extent of that influence. In Perfidy, I thought of my lead character, Mandy, as someone I wished I'd been when I was her age. After being asked to talk about Mandy on several occasions, I suddenly realized that Mandy is my daughter, Marie. They both have long, wavy auburn hair and green eyes. They are loyal, responsible, and sometimes naïve. Creating Mandy to be like Marie was purely accidental on a subconscious level.

None of my other characters jump out at me as being someone I know, or too much like me. My characters are probably a mixture of personalities with which I am familiar.

OMN: Tell us a little more about your writing process.

MEM: I know a few creative writer instructors who would probably have thumped me on the head for the processes I used when I started seriously writing a full-length novel. I was all over the place with Perfidy. I knew how I wanted it to start and how I wanted it to climax, but literally wasn't sure how to cement it all together.

Fortunately, I had the good sense to look to professionals for help. I took classes at the local college, joined organizations that not only promote writers but also educate them, and then took all of that information and created Perfidy, a novel that won the 2013 Lovey Award for Best First Novel.

Since then, I've become a smarter, happier writer. For some reason, Inconspicuous came to me in order. I wrote it from start to finish without the necessity to fill in a lot of details once the first draft was complete. Then, the idea for Ensconced was derived from a true story I read on the indy.gov website of a woman who has been missing since 1997. Neither she nor her car has been located. I wondered what would have happened if the car was located after years of being missing. What would happen if Tyrone Mayhew and his partner reinvestigated the case?

OMN: You mentioned researching police procedures as part of your story planning. How else do you go about researching the plot points of your books?

MEM: Since I am not, nor have I been, a police officer, I had no firsthand experience in police work. One of my goals was to create novels that would cause an Indianapolis police officer to say, "She hit the nail on the head." I've met so many police officers at conferences who get so irritated with novels, TV programs, and movies which do not "tell it like it is." Readers are becoming more perceptive about the facts, so I feel I need to make sure my novels are as accurate as possible without being too technical and boring.

The Internet has been a good source of information, particularly on the indy.gov website. They not only have information on how the police work, there is information on the Sheriff's Department, Fire Department, Coroner's Office, the Courts, Prosecutor's Office, and Forensics. Of course, I would caution anyone using sites that aren't directly related as this site is, to approach with caution and don't take only one website's word as absolute fact.

I also purchased a reality series called "The Shift," which was filmed by the ID Discovery Channel in Indianapolis. They followed homicide detectives in Indianapolis as they investigated crime scenes, questioned witnesses, investigated, questioned suspects, and ultimately made an arrest. This was extremely helpful because I not only saw them performing their duties; I was able to see the office where they worked and the interrogation rooms.

OMN: Your books are set in Indianapolis, your hometown. How true are you to the setting?

MEM: I know the area very well, and although I know things have changed somewhat, I visit enough to be able to go to an area and study it before I write about it.

I have created names for hotels and restaurants which don't exist to simplify things in regards to liability. An author needs to be careful not to say something about a place or product that is derogatory. We don't want to offend anyone or for our readers to believe a real crime was committed in a place where no such crime actually occurred.

OMN: If you could travel — all expenses paid — anywhere in the world to research the setting for a book, where would it be?

MEM: Of course, you're asking about book research, not a place I want to see, so I'd have to say New England — in particular, Salem, Massachusetts. Although the next Circle City mystery is still set in Indianapolis, there is an element of witchcraft discussed as well as a lot about Wiccan. What better place to go to "feel the vibes" of what went on during the Witch Trials?

Besides my series, I've set forth to create a YA novel about a girl who has the ability to dream about things which come true. Her mother is an herbalist and her sister is quite good with crystals. They live in a make believe town, but I've indicated it's somewhere in New England. It would be great to hang out with New Englanders and get to know the culture of the area.

OMN: What are some of your outside interests?

MEM: I think cozy writers tend to bring their hobbies to the forefront in their mysteries more than crime writers do. However, I have always been interested in solving puzzles. I put together jigsaw puzzles, solve crosswords and other word games, and read books with an element of mystery.

I've also had a great interest in psychology, sociology, and criminology. I want to know the "why" when people commit crimes, especially those crimes against other human beings. When writing a novel, I not only get to create the puzzle, I get to decide the final solution. My hope is that my readers become invested in the characters and in discovering how the pieces of the puzzle come together so they can feel satisfied in the end.

OMN: What is the best advice — and harshest criticism — you've received as an author? And what might you say to aspiring writers?

MEM: The best advice I have received is to never give up. If you truly love it, keep writing. It may take years before you find a publisher, agent, or decide to publish on your own. Patience is the key.

Probably the harshest criticism I've received was from an Amazon review in which the reviewer said I used too many "he said, she saids" in Perfidy. I really see that more as constructive than harsh, because it made me take a hard look at future manuscripts and realize that she was right. Many of them weren't necessary. In my opinion, criticism such as this only helps me become a better writer.

My advice to aspiring writers would be to repeat what I was told. It's easy to get discouraged with the length of time it takes to "sell" your first manuscript. Always be open to suggestions for improvement. Attend writers' conferences and workshops or take a class to keep your skills sharp.

OMN: Complete this sentence for us: "I am a crime thriller writer and thus I am also …".

MEM: I am a crime thriller writer and thus I am also creative and a little crazy. Yes, I admit it. I've had many people ask me why I chose to write crime fiction, and again, it involves my interest in human behavior. When I write about these situations, I have the control of how the story ends. I choose for my "good guys" to win, but not always without a price. This genre must have elements of reality and facts or it doesn't work.

OMN: Is M. E. May a pen name?

MEM: I thought very seriously about using a pen name to keep some sense of anonymity. My maternal grandmother's ancestors who came over from France in the 1600s had the last name Perigeaux — pronounced "pair-go". When I thought it through, I decided that no one would know how to spell it and it would be a pain for me to write out when signing books.

Then, I got the notion in my head to use my initials M. E., because I'd always heard that women aren't taken seriously in the mystery genre and using my initials would keep readers from knowing my gender. Then my first publisher decided to put my photo on the cover along with my name as M. E. (Michele) May, and my cover was blown. It was a silly notion to begin with, however, on the positive side; using M. E. May has proven to be a quick and easy signature.

OMN: Tell us more about your cover designs? And how did you go about coming up with the titles?

MEM: I try to choose book cover designs and titles that give the reader a hint of the story. Perfidy has a photo of the Indianapolis Civil War Memorial which sits on the circle in the middle of the city and in the sky are my main character's green eyes, which are significant in the story. I needed a title that meant the ultimate betrayal, something different and unusual so I got out my Thesaurus and found the word perfidy.

Inconspicuous simply means that the serial killer in this novel is right under our lead detective, Erica Barnes' nose and unseen. Thus, I had my designer create a cover which depicts the detective and a shadow in the background with her looking in the wrong direction.

The latest novel, Ensconced, is a cold case involving missing persons detectives Tyrone Mayhew and Ben Jacobs, who appear at the top of the cover and the woods with the skull should give the reader a hint of what's to come. In the story, the youngest son of our victim, who was only nine when his mother disappeared, cannot remember what happened that night, but has been having nightmares ever since. This memory is well hidden (ensconced) in his subconscious, so Tyrone must do what he can to get the young man to remember.

OMN: What kinds of feedback have you received from your readers?

MEM: Thus far, I have received nothing but compliments from readers. Many have told me they couldn't put them down and that each one is better than the last. One of the best compliments I've ever received was from author JoBe Cerny who said I was a cross between Agatha Christie and Alfred Hitchock.

I'm very excited that people are enjoying my stories. As long as the readers want more, I plan to continue to put out the best stories I can muster.

OMN: Suppose the Circle City mysteries were to be adapted for television or film. Who do you see playing the key roles?

MEM: Let's start with my favorite character, Tyrone Mayhew. I think Shemar Moore would be perfect as Tyrone. From watching Criminal Minds, I think he portrays the tough cop and loving family man we'd like to see. Homicide Captain Robert Stevenson would be played by Sean Connery; Detective Erica Barnes by Angie Harmon (she plays a great cop); Sergeant Ben Jacobs by Matt Damon; Detective Brent Freeman by Bradley Cooper; and Detective Chennelle Kendall (the star of book four) by Kerry Washington.

Of course, I'm not sure how they'd come up with the money to pay all of these fine actors, but I think this would be a great cast for any of my novels.

OMN: What kinds of books did you read when you were young? And do you think these may have influenced how and what you write today?

MEM: As a late in life baby for my parents, I had siblings who were teens when I arrived. My eldest sister's daughters and I were very close in age and my sister used to read Nancy Drew books to us. That was my first taste of the mystery genre. I can remember trying very hard to discover what was going to happen next and play the game with my nieces.

My parents were big mystery readers and it didn't take long for my dad to get me hooked on John D. MacDonald's Travis Magee series. We also watched TV programs like the Alfred Hitchock Hour and Ellery Queen. We always had an "Ellery Queen Magazine" around as well.

I hadn't really thought about it influencing my writing, but how could it not. When you love a particular genre and are intrigued by the way it is structured, of course it would have much influence. As I said previously, a good mystery is a puzzle to be solved and I have found a lot of joy in creating these puzzles for others.

OMN: What do you read now for pleasure?

MEM: Besides mystery, I love to read Fantasy and some YA. I absolutely fell in love with Harry Potter as did so many. Of course, the author's struggle to find a publisher and her determination not to quit were inspiring. The Hobbit and "The Lord of the Rings" series by J. R. R. Tolkien have always been a favorite of mine. Tolkien's brilliant creation of the lands where this takes place, the languages and alphabets he created are genius.

There are others, but that would take up too much space.

OMN: Create a Top 5 list for us on any topic.

MEM: Top five favorite authors:

1. J. R. R. Tolkein – His magical world is brilliant.

2. J. K. Rowling – Her magical world is brilliant. It always fascinates me when someone can do a series of books and remember every character, every detail and pull it all together in the end.

3. Sue Grafton – I am very impressed at how she continues to write her character, Kinsey Milhone, and keep her stories fresh after more than twenty novels.

4. G. R. R. Martin – I love his writing and his fictional world in the Song of Ice and Fire series, but like many fans I'm a little upset that it takes so long for him to produce the next book in the series.

5. James Patterson – I really enjoy his Women's Murder Club series and Alex Cross. He very much influenced my style of using short chapters to give my readers the feeling they're making headway by finishing a chapter every night before bed.

OMN: What's next for you?

Purged by M. E. May

MEM: I will be continuing to write the Circle City mystery series. The fourth book in the series, Purged, is finished and will be released in late November of this year. It will feature Homicide Detective Chennelle Kendall as the lead character partnering with Erica Barnes again. Then, I plan to have a fifth book featuring Detective Brent Freeman ready to come out in late spring of 2015.

As I stated earlier, I am on the verge of finishing a YA novel called Dreaming of Justice, which is a paranormal mystery for ages twelve and older. Our "dreamer," Allison, will be helping to find the granddaughter of one of her grandmother's best friends.

No matter what else I may do, I will continue to write until I can do it no longer.

— ♦ —

Michele (M.E.) May attended Indiana University in Kokomo, Indiana, studying Social and Behavioral Sciences. Her interest in the psychology of humans sparked the curiosity to ask why they commit such heinous acts upon one another. Other interests in such areas as criminology and forensics have moved her to put her vast imagination to work writing crime fiction that is as accurate as possible. In doing so, she depicts societal struggles that pit those who understand humanity with those who are lost in a strange and dangerous world of their own making.

In creating the Circle City Mystery Series, she brings to life fictional characters who work diligently to bring justice to victims of crime in the city of Indianapolis. Michele also hopes her readers will witness through her eyes, the wonderful city she calls her hometown.

For more information about the author, please visit her website at MEMay-Mysteries.com or find her on Facebook and Twitter.

— ♦ —

Ensconced by M. E. May

Ensconced
M. E. May
A Circle City Mystery

Missing Person Detective and loving family man Tyrone Mayhew faces one of the toughest cases of his career — now a cold case he investigated ten years ago when Wendy Matherson and her vehicle vanished without a trace. New evidence has come to light and now Tyrone and his partner, Sergeant Benjamin Jacobs, must sort through years of old evidence and interview persons of interest and witnesses one more time.

They soon discover that Wendy's youngest son may be their best witness. After years of nightmares, this young man is ready to try anything to pull the memories so deeply ensconced in his subconscious to the surface so he can finally be at peace with what happened to his mother.

The more Tyrone digs, the more dangerous the investigation becomes. When Tyrone's family is placed in mortal danger, it sparks Tyrone to work more diligently to discover what really happened the night Wendy Matherson disappeared. He must find resolution before this case tears Tyrone's happy life completely apart.

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